Medium Format Forum - Printing/Processing

• Where to process colour 120 film in GTA west end? by Stephanie Maks
• scanning a negative for large-size printing by Paul Cohn
• What options do you choose for MF processing? by Graham Martin
• Good LA Photo Lab?? by Phill M
• Shopping for 6x7 Negative Carriers by Michael Max
• Professional Print Swap by Durr Wise
• Lab for processing AND scanning slides? by Mark Freemal
• Making prints of 6x6 slides: pro and cons of analog vs digital by Etienne Winkelmuller
• Jobo CPP2 with 120 film by Luis Esco
• Print Swap Would you like to join in? by Durr Wise
• transparency scanner 6x6 & 35mm by bill hess
• Need Advice for LARGE Prints by Nicholas Breslow
• How to load 120mm to the developing tank? by Juan Chalco
• Developing Kodachrome 64 as black & white by Danielle Schon
• looking for a cheap scanner by Colin Hatch
• Printing and Drum Scanning with 6x17 transparencies by Jon Baker
• Small bumps on Film by kai geries
• Printing from 2 1/2 x 4 1/4 negative??? by Shelly Holland
• Enlarging scanned medium format negatives by Arlindo Barlera
• MF processing costs - rising everywhere? by Alex Stein
• Printing my images - 40x50 by Ted Bedwell
• Scanned colour negatives by Stephen Raff
• A scanner comparison by David Goldenberg
• nikon 9000 glass holder by Anthony Bagileo
• Scanned negatives, digital photography? by Arlindo Barlera
• Film Scans by John Bevans
• Film processing using fuji film fp363sc by luis luna
• Konica Minolta Dimage Multi Pro Scanner Questions by Ken Wayne
• Anyone in Boston rent Film Scanner's out? by Jared Thompson
• Alternatives to West Coast Imaging exhibition prints? by M R
• Maximum Size from 6x7 negative? by Darryl Roberts
• Finding a MF enlarger by Kari Vierimaa
• Nikon 9000 price increase by John Brewton
• $$$ for Scan Mullti by John Brewton
• 120 film, how to handle after removal from camera? by Scott Buckler
• Large Format Printers for B$W under $1500 by Mauro Franic
• 6x9 processing by Tom Raymondson
• Jobo varioformat easel by Mervyn Wilmington
• Is this a reasonabe price for a Chromega B enlarger? by Will Gunadi
• Best B & W enlarger for weddings by Alan Higgins
• How do I ask a specialty lab to keep the same border as the negative (ie;the make of the film) on my prints by Jimmy Nelson
• Omega B8 6X6 Negative Carrier Needed by John Layton
• Scans of 6x9 Film by Robin Campbell
• Medium format developing in the UK by Alex Williams
• Paterson developing tanks? by Mike Meal
• Help with troubleshooting a problem with an used Durst Laborator burning out my lamps by rolando guardiola
• 50 year old b & w 2" x 2" negatives by Mary Ann Badar
• Dimensional difference between 35 mm and medium format enlargers. Is it all about the bellows? by rolando guardiola
• 120 BW Processing in Shanghai by Xiaolei Li
• 120 developing in Saratoga Springs New York by Bob Luther
• Problem printing from 120 negatives by David Rothchild
• Scanning film by Leo Grillo
• Mounting RA-4 (Color Negative, RC Paper) Prints by Brad Gillette
• Where can I get fine art lab print samples? by Leo Grillo
• How to scanning 617? by Christos Chatzoglou
• negatives much sharper than prints by Evan Bedford
• Holga woes - learning to develop vs. sending it out by Yuri Kim
• Viewing / Processing / Scanning A large volume - need major help! by Ken Leak
• Large Prints by Georg Berrisch
• How do you set up shop to develop your own 120/220? by Michael D (Kissimmee, FL)
• Tips and tricks for scanning 120 films? by Francesco Gallarotti
• Enlarging lens for smaller prints from 6x6 negs? by Ari Kermaier
• Printing 120 film in Melbourne by Andrew Littleford
• scanning with epson flatbed scanners, what's your workflow by Ben Lawrence Miller
• wide carriage printer by John Golden
• omega rodenstock rodagon 80mm f4.0 by Ron Beaudoin
• Scanning 6X6 Negatives by Ron Lacy
• Film, Squeegee by Barrie Marshall
• Stainless Steel Spiral, wonderful - and a question by Barrie Marshall
• scanning 120 transparencies by Andrew Littleford
• 6 x 6 problem on Saunders LPL D6700 Dichroic by Ron Beaudoin
• Durst 607 + Schneider Componon S 100/5,6 by Mats Skölving
• Ilford Print Film Processing Requirements by Wil Ussery
• MF and enlargements by Dennis Benjamin
• Minolta Scan Multi by Emir Shabashvili
• need good lab in beijing by ben radcliffe
• labs in charlotte -capacity for color 120mm? by William Hunnicutt
• contact sheets in beijing? by ben radcliffe
• Film Processing resources (1) via Mail Order, or (2) around Winnetka, Illinois by Vic .
• Panoramic film scan by Alejandro Gulminelli
• Need a new location to Process film by Douglas Stemke
• $1.80 C-41, $4.88 E-6 by Randall Pukalo
• Where to get 120 C-41 Develop-only in St. Louis area by Adrian Bordeleau
• chemical processing for 120 by Tim Miller
• Border on the print by Les L
• Medium format printing/processing in Queens/Manhattan by Erica Bart
• Where to get 120/220 E-6 slide film (Velvia/Provia) developed in Honolulu? by Al Eridani
• Workflow for MF transparency to print by Keith Ostertag
• 120/220 processing in New Zealand by Mark H
• U.S. Lab recommendations for panoramic Xpan processing, scanning, and printing by Rick Sikora
• Twin plate / Duoscan filmholders & scanning tips by E.B.K Jansen
• Medium format development tips needed by Kevin Eder
• Difference between Medium Format Enlarger & 35mm Enlarger? by Gwendolyn White
• Neg carriers / film holders for sprintscan 45 by E.B.K Jansen
• dark room by Tekeste Ghebretensae
• Prof. Processing/Scanning in Shanghai by Florian Denk
• Medium Format and Inkjet Printing by Ray .
• Ultrafin Plus query by Phil Hanson
• gepe slide mounts by frank philcox
• New to MF by Chris Parker
• Commercial Processing and Scan of 120 B&W film by Bill Mitchell
• Good Photos Labs offering discounts?? by David Eicher
• HU: good deal on Epson V700/V750 in US by John Graham
• Cheap MF processing in NYC? by Benjamin D. Lunsford
• No more contact sheets????????!!!!!!!! by Antonio Carusone
• 120 negatives being cut off by scanner by Steve Agocs
• Scan and print myself , or send to lab? by Martin Wouterlood
• Medium format process-and-scan services? by Mark Erickson
• Sources of Graded Paper by Jeremy Keller
• Professional Labs by John Carter
• Epson 4990 for MF by Sean Karns
• Printing and processing 120mm panoramas by Kashish Shrestha
• Medium format enlarger - Balck & White by Paul Bien
• Epson 9800 printer by Simon Galbally
• inexpensive processing by gene stern
• Leitz Prado 500 to 6X6 Conversion by Charlie Camarotte
• Developing medium format color film by Victor Moss
• advice on professional archival prints by Milan Moudgill
• 80mm enlarging lens adaptor ring for chromega b enlarger by tabitha norman
• inexpensive processing in NYC by gene stern
• Best scanner under $1000 by ernie tangalakis
• Durst Lambda V's Epson 7600 by Matt Lauder
• where can i go for E6 processing in QUEENS NEW YORK by Dianna Pinzon
• Med Format problems with Epson 3170 by W David Price
• MF flatbed scanning by Simon Galbally
• Inexpensive Medium Format Transparency Scanner by CPeter Jørgensen
• Scanning MF Transparencies by Derek Glickstein
• 16x16 prints with 100mm lens? by brian steinberger
• Large 50 X 65 print in Atlanta area by Frank Kimble
• large picture frames for medium format pics by George Graves
• Leitz Focomat II - too short time to make-up prints by Stephane Baudet
• Printing 6x6 on a epson 2200/2400. How large do you go? by kelly hicks
• Not 39mm thread ? by Shay Ohayon
• Large-Size Color Enlargment for Landscape/Scenic - Glossy or Matte Paper? by Binyuan Chen
• If You Ran C-41 as E-6, what would you see? by Mark Ogden
• Film and processing in Barcelona by David Holland
• B&W Medium Format Film & Processing Sources in Hong Kong by Sheldon Hambrick
• Type "R" Prints from Transparency - Which Labs Still Do It? by Binyuan Chen
• 120 Format C-41 Processing and Proof Printing - Quality Lab Recommendations Pls by Binyuan Chen
• where can i buy / develop 120 film in Cairo, Egypt? by Michael Amsterdam
• 120 Format E-6 Slides Processing - Need Prepaid mailer/Lab Recommendations by Binyuan Chen
• Using 120 film in a 220 camera by Bob Atkins
• Scanning 120 Negs by Rob Klugman
• Bair mounts for projection? by Anand Raghavan
• Processing 220 Film in Chicago by Jeremy Root
• Color Printing of Cross-Processed Negatives by Jessica Blindt
• Darkroom questions... by Gup Jeffries
• Please advise on Rolleiflex TLR color prints; >5x5 proofs vs. slides vs. home printing by Leon Jeter
• Would like to hear from those scanning MF... by John Brewton
• Nikon Coolscan 9000 & Printing via Fuji Frontier by Calvin Lee
• Jobo CPA-2 by J.F F
• Scanning services for 120 film and transparency by jessa fairbrother
• Budget medium format scanner? by Witold Grabiec
• Local photofinishing forcing me to return to 35mm by Chad Worthman
• Fixing question by Don Harpold
• Professional Labs for 120 format C-41 Enlargement - Dale Lab vs A&I vs Nardulli by Binyuan Chen
• ruined negatives? by Claire Oliver
• Printing issues by Michael Bradtke
• Links to scans from the Epson 4180 (or 3170) by Sheldon Hambrick
• Epson F3200 DOES come with dust and scratch removal by Henke Rundgren
• Slide film printing - Scanning VS Manual by Eddy Yu
• E-6 MF lab in Barcelona by don sorsa
• printing cmyk by Pascal B.
• Storage & Enlargement questions - 120 film by Alana Shores
• Grainy b&w negatives - why? by Dave Anderson
• Inexpensive C-41 Processing by Chris Patti
• Antelope Canyon,Large prints from 120 film in Atlanta by Frank Kimble
• Mounting Very Large Photographs by David A. Wong
• My lab closed, now where for c-41? by S. C.
• Med Format Processing In Norwich, England by Heller Harris
• where to develop medium format film in New York? by flai pointman
• Efficient/sufficient scanning on Epson 4870 (6x6) by Henke Rundgren
• Film scanner problems by thomas breazeale
• Proofing w/ your Light Box and Digicam by Arthur Velordi
• Processing and Proofing 6X17 in San Francisco by Bob Prichard
• FYI: a cheap way to get "proofs" from MF color neg film by Andrew Patteson
• MF images printed on Epson 2200: your results by David Simonds
• Prints from 6x17 Transparency by David A. Wong
• Longevity of 120/220 film and processing costs by Mark Dalal
• Weight hanging HOLES in my developed film... by Robert X
• Home Processing 120/220 E6 by Mark Jacobs
• Can anyone advise me on - Quality scanning 6x6 film for printing by andy munarriz
• Printing scanned 6X6 images at discount stores ie Walmart etc. by Bob Eskridge
• Problem with printing from Medium format by Phil Evans
• Is it possible to get a 35mm adapter for Kindermann projector? by Paul Utkin
• Why my MF shots looked bad when blown up by Brent Harris
• Durst 6x7 Conversion for 6x6? by Stuart Grant
• Cost of photographing friends and family and neighbors..? by Lakhinder Walia
• Searching for a 220 photo processor (C-41 or E-6) by Robert Szasz
• Standard 220 enlargement sizes by K M
• have Beseler 23 enlarger and need to project to wall by Christian Hanner
• Cheap Medium Format Slide Dupes? by Talbert McMullin
• 120 mail-in lab - not digital by Roy Adkins
• Camera for Polaroid Proofs by Greg Whitten
• 120 film on fuji frontier by Chuck Beam
• Mat size by Grady O'Connor
• Printing 2 1/4 negs by Phil Evans
• Requesting reviews/opinions of Imacon 343 by Ross Wordhouse
• Beseler 4x5 enlarger . Does exhausr fan suck or blow? by Raymond K Osmotherly
• Any new ideas about dealing with Newton Rings? by Lee Goodwin
• Enlargers for 120 roll film by Bill Mitchell
• Ilfochrome Classic questions by Jason Antman
• Slide Mounting w/ Glass Mounts: manual vs mounter/ and Storage by Darron Young
• I need a decent 120 photo lab in Brooklyn, NY by Laura E. Napolitano
• Thoughts on Saunders 670DXL enlarger by Butch Welch
• Processing in San Jose CA by Don Harpold
• Schneider Componon-S vs Apo Componon-HM by Scott Jones
• Machine prints from 645. by Richard Milner
• C-41, to push or not. Accidentally shot portra160nc at 320 by Eric Verheul
• Microtek Artixscan 120TFT - up to 6x9, as good as Imacon? by Kevin Hicks
• Home developing of 120 b&w & c-41 ? by Josh Wheaton
• Naperville Illinois- any good labs in the area? by Robin Worgull
• Color Labs in Shanghai by William Linne
• 6x9 machine printing in Boston by david aureden
• "Bubbles" in processed Portra VC160 by Leonard Evens
• Printer equal to Epson 2450? by Simon White
• Prints from MF scanners? by Darick Ding
• Panoraminc print Lab Bay Area / San Jose by andrea bonamini
• Backing paper numbers visable in transparency by Jason Eadie
• Processing 220 film in Thailand by Deborah Malveaux
• Professional E6 labs - Tahiti or anywhere in French Polynesia by Alex B.
• Color printing: Enlarger vs Scanner by Hiroyuki Komatsu
• Glossy Paper for Epson 2100/2200? by Eric Duncan
• Printing Black & White MF by Tapas Maiti
• Is there a RECTANGULAR BIAS? by Oculus New York
• Joe's Basement RIP by Gary Ferguson
• Help w/ Film, Lightjet, Canvas Mounting by T N
• Epson 2450 - frankly, I am not impressed. by Fatt Freddie
• Professional Development by Peter Muller
• xp2 Super 6x9 experiences? by David Szwec
• Photo-flo or no? by Peter Lerman
• lambda: scan resolution by d g
• Ouch! Broken diffuser box glass by Robert Thomas
• Medium Format Black and White methods by Tim Bosley
• Any good wedding and portrait labs in the southeast USA ? by Larry Smith
• Adobe Photoshop correction of fluorescent lights on daylight film by Thomas Diekwisch
• Output to Medium Format film by Jamie Drouin
• XTol Update and an Alternative developer, FX-50 by Todd Frederick
• Adapter for using Hasselblad lense for Printing by Richard Swartz
• Film Flatness by Max Neivandt
• Polaroid Sprintscan 120 and 6x7 scans -- best bang for the buck? by Richard Cook
• Color Slide Cross Processing Question by mick o
• Processing in the Northern Chicago Suburbs by Daniel Rychlik
• 6x9 processing and printing in Portland Or? Cost? by Tom Scott
• Alternatives to Ilfochome for Printing Transparencies by Raymond K Osmotherly
• low budget printing labs in LONDON, UK by Jack Malipan
• Labs for Cibachrome Prints by mick o
• JOBO Colorline 100 by Jon Miller
• Color Analyzer by Jon Miller
• Inexpensive mail order 120 C41 processing? by R.T. Dowling
• E6 Home processing by John Bright
• Best photo printer on the market... by Jean-Pierre Auger
• Digital scan printed to Ilfochrome by Matt Lauder
• Durst Componon 105mm f5.6 Enlarging Lens. by John Bright
• Epson 2200P by Reggie Saavedra
• Best source for Seal press by George Kenney
• Mamiya 7 negatives scanned digitally- looking for optically printed prints by Mike Hillfiger
• Enlargement options for 645 by Jon O.
• In search of Cheap MF processing by Scott K.
• Software for scanning by David Chilvers
• Scala Prints by Don Harpold
• Do you call you 120 positives slides? by Kelly Flanigan
• Vibration-Free Enlarger by John Bright
• Meopta Magnifax 4 any good? by Thomas Vanhaute
• E6 processing by Geoff Murray
• MF Labs in St. Louis by Stephen W.
• B&W Printer by Reggie Saavedra
• mounting photos on to board by adrian tyler
• Epson "Perfection" 2450 Photo Scanner ATE MY SLIDE!!! by John McLaine
• "Multigrade head" question by Brian W. Thomas
• Fuji frontier... can they scan and print full frame 6X9? by Darron Young
• Lab Mounting of 6x6 Transparencies by Stan Blevins
• MF Negatives Scanned with Epson 1650 Built-in "Adapter"? by Paul .
• Getting into color processing (were not in kansas any more) by Jon Miller
• Looking for Labs which have a good reputation for processing and printing Fuji NPH and/or Kodak Portra 400NC in the UK by Robin Barnes
• 6x4.5cm Format, the Epson 2450 Scanner and Lightjet 5000 Printing by Robin Barnes
• Developing 120 film - tail end of the roll slips off the reel by Peter Schauss
• Old Componon 150 on a new Opemus 6? by Marco GANDOLFO
• Flat 20x24 Prints by Jon Miller
• Eliminating color-casts when printing(RA4) by John Bright
• Which is the best inkjet photo printer? by Franz Pritz
• Enlarging 2 1/4 Negatives by Shel Belinkoff
• How long do Inkjet prints take to fade? by Dick Roadnight
• Dye Simulation/Olympus P-400 Printer? by Richard Hoag
• 120 C41 start end light damage by Lars Weberg
• Tmax100 and xtol by David Sacco
• b/w chemical disposal by David Sacco
• Hewlett-Packard G85 as photo printer? by Ralf Hoenes
• Developing Tanks and Reels by Bob Cook
• The truth about Selenium Toner: some questions by Michael Alpert
• need help with printing 120 panoramic prints with beseler 4x5 by missy allen
• Pro Labs in Las Vegas by Gerald Schwartz
• Jobo 1566 stainless reels for plastic tanks by Pete Su
• Enlarging a detail from 6x6 negative... by Christopher Thompson
• medium format panoramic prints by Edward Breeden
• Contact-Printing Color Negs. by John Bright
• Processing in Boston by Richard Blau
• Do I have a C700, C760 or both? by Jon Miller
• Fuji Frontier Lab in NYC for MF Proofing? by Curtis Carmack
• Velvia (120 roll film) processing in Wellington, New Zealand by Marc Cramer
• Enlarger able to project 645 in the same direction as 35mm?? by Brian W. Thomas
• Lab in San Francisco to Process 120 mm Color Negatives by Howard Slavitt
• Versa Dynamics enlarger alignment tool by Javier Saturno
• Contact Printing Workshop by Michael Smiting and Paula chamlee by Todd Frederick
• philips pcs 2000 negative carrier by Phillip Tiburcio
• 6x6 lab cropping? by Phillip Tiburcio
• Choice of 6*9 cm enlarger by Vartan Grigorian
• Loading two rolls of 120 film on Jobo 1501 reel by Amir Ziv
• Mail Order Enlargements of 120/220 by Jeff Alexander
• Easels by David Sacco
• Internegative Service/Internegative Scanning??? by Alex --
• Good MF lab in Raleigh-Durham, NC? by chris jaffe
• Black Line around photographs by John Bright
• printing color by Wim van Velzen
• Should I use a Stop-Bath during C41 Process by John Bright
• Medium Format Enlarger by Philip Dowling
• Cleaning All Glass Neg Carriers by John Bright
• Is 80mm Durst Neonon E/L Lens suitable for 6x7 format by John Bright
• Beseler 23CII dga enlarger for 6x9 by Marc McCloud
• Processing in Miami/Miami Beach by Paul Mapstone
• problems printing 6x6 negs on 24 x 20? by Eric Chu
• Large Prints from 120 Transparencies by Eric Burgess
• Rodenstock 80mm Rodagon mounting on D-6 by David Sacco
• MF processing... Digital Advantantages? by David Bradley
• P67 Camera strap by Ronald Payne
• 5X7 MF Proofing by Craig Schroeder
• Zone VI enlarger problem by Richard Rethemeyer
• Floor Projection with D-6 by David Sacco
• Lens Mount for 80mm Rodenstock f4.0 on D-6 Omega by David Sacco
• mounting 105/4.5 Schneider Componor onto Omega C-700 by Matt Wininger
• 220 film processing time by Lei Chen
• Darkroom trays by David Sacco
• Trying RA-4 again by Arden Howell
• 220 B&W Film Dev Questions by Craig Schroeder
• radio shack talking timer by George Nedleman
• good used enlarger for 35mm AND 6x7? by Matt Wininger
• 6X7 negative carrier for Omega B600 Condenser by michael bryant
• Processing steps for Ilford 120 film? by Matt Wininger
• What do you mean by "projection"? by Brian turner
• Installation of Omega C760 Condenser accessories by mark Blanchette
• Best Enlarger for Polaroid 665 P/N by Rob Weisel
• Mail Order Color Lab for 120 Film? by F. Timothy Knapik
• Fuji Frontier Lab in NYC Area for MF Proofs? by Curtis Carmack
• Advice on printing w/ cold light head & filters by Brian turner
• Triangle shapes in corners of negative? by Dave Flanagan
• 5X5 Photo Album by Steve --
• Omega D-6 Condenser b/w vs. D-6 Super Chromega by David Sacco
• New V-54 cold light on 23C II by Brian turner
• Reliable Labs for 220 in Phoenix/Tempe, AZ? by Scott Clark
• Beseler Color Pro lens by Brian turner
• Enlarging 6X9 Negatives / Large prints by Barry Schmetter
• Saunders Enlarger Mixing Chamber by Paul Mongillo
• Enlarging lens questions by Craig Schroeder
• Highest quality prints from negatives by Don Harris
• Omega D6Enlarger by David Sacco
• luminosity - how to achieve this? by Andreas Carl
• DIY coldlight head? by Brian turner
• Replenishing exhausted film developer by Brian turner
• Hasselblad camera lens good for printing ? by Stefan Arend
• Selinuim intensification of Tmax 100 negatives by David Sacco
• XTOL and TMAX 100 by David Sacco
• ReMedium Format Processing by Mail by Howard B
• Any square paper out there for us 6 x 6 shooters? by Rob F.
• 120/220 film processing in Chicago north suburbs by Steven Friedland
• Rodenstock enlarging lens age by Daniel Rychlik
• Omega D2 Enlarger by Pat Johnson
• B&W papers: need your impressions on Kodak polymax rc II by Philippe Dollé
• Upgrading enlarging lens ? about f-stop by Daniel Rychlik
• Problem with detail/contrast rendition from b&w negative to print by Philippe Dollé
• Help, Light Streak on Film-6x7 by Pat Johnson
• optimum DPI for digital scans / quality output by adrian tyler
• MF film processing in ISRAEL by Christiaan Hattingh
• Use of Polycontrast Filters with Coldlight by Jeremy Keller
• Tech pan by David Sacco
• Is 35mm sharper than MF for scanning? by peter nelson
• Slot Processors by Guy Winter
• standard crops by Frank Kimble
• LED vs. traditional prints. Which is better? by Manrico Scremin
• Where to Find Classic Embossed Phot Folders by Richard Jepsen
• Small cold light units - bright enough? by Bill Brant
• durst printo by Marc Lefebvre
• Omega D2 Negative Carrier Options by Roger Haynes
• Paris: Professional labs & camera stores by Irving Greines
• Oops - 11th frame on 6 x 7 120 - salvagable? by Roger Krueger
• E-6 Processing in Cancun by Peter Blackburn
• New camera - change in printing time by Roger Haynes
• B&W Film Development - how to get the curves "right" by Andreas Carl
• Enlarging Polaroid 665 negs by M R
• B&W Enlarging Lens Recommendation by Richard Jepsen
• Multigraph by Marcel Perez
• looking for 6x9 -> 4x6 color print processing by Mike Maas
• cheap or homade tacking iron by Scott Dordick
• 6X7 Enlarger&lens. for Black and White by Pascal van Heesch
• 6x6 machine prints (proofs): price, quality by Ben Jackson
• B&W film processing. Why don't I get same results as in 35mm? by Paul Duvernois
• Labs in east Europe by Ole Skinnerlien
• Labs in Japan by Mani Sitaraman
• ABS plastic chemical resistance by MILTON BARROCAS
• Roll film processing in Colorado Springs by Kornelius J. Fleischer
• Croppping in a 5X5 print by Andrew Ng
• Best reel/tank for 120 by Arthur Gottschalk
• Can you use Rubbermaid trays for processing? by Stuart Phillips
• Classic Enlargers? by wes almond
• Recommended European 6*6 scanning services? by Neil Roberts
• Framing a big photo. by carl hu
• Durst enlarger suitibility/quality by marcus smith
• "COMPS"...how are they produced? by Jim Vanson
• MF Print Processing in DC area? by Nicholas S. Rubenstein
• neg dev times vs dillution by Scott Dordick
• DIFFERENCES IN FB ANS RC PAPERS FOR B&W by David Strachan
• 120 roll film leader by Ko Noritsu
• Perspective control in printing? by Lei Chen
• 6x9 processing by Rob Jacobs
• Comparison of Rodenstock 80mm f5.6 to Nikkor 75mm f4 by David Torcoletti
• Is Fuji slide processing better for Fuji slide? by Sean Tao
• Schneider Componon-S 100/5.6 by Dave Schneider
• Does anyone do E-6 processing themselves? by Lei Chen
• B&W Variable Contrast Papers: Filters or Dichroic Head? by Stuart Phillips
• cold light head? or diffused head for VC paper? by Jinho Chae
• Enlargers for 6x9 Color? by Scott Clark
• Should I attempt enlargments for color & black/white by Paul Manuel
• Results from Fujimoto processors? by Dr. Richard Stein
• coffee as a developer by Steve Nicholls
• How to submit negative for printing by Michael O'Kane
• Cibachrome by Graham Rowe
• Fogging at end of roll by Ken Heflinger
• Polaroid Daylab for Medium Format - Anyone? by jeff Drew
• Saunders 670 printing 645 negatives big??? by Lee Goodwin
• Printing panaramic negs by Philip Caithness
• Medium Format Leica Enlarger - Opinions? by Jim Vanson
• Need very professional lab in southeast for wedding work by Jeff Harville
• Heat and 120 Film in Camera? by John C. Morris
• Glass negative carriers by Philip Caithness
• Processing laboratory in France / Paris by Olivier Farvacque
• Developer for Delta 100 by Dave Schneider
• When to use warm tone papers by Richard Jepsen
• Book on how to do your own printing ? by Bjarte K. Froensdal
• Developing B&W negs yourself by Ryan Lombard
• labs in Japan by Gerald Schwartz
• HELP - ra4 stabilizer insted of wash by Michael F. Flynn
• Processing film in tropical climes. by Howard Chen
• 6x7 or 6x9 enlarger by Tom Raymondson
• too grainy in highlight area by Jeremiah Lee
• Print Sharpness by FABIO GIACUZZO
• Ilfochrome prints by Roberto Manderioli
• Does Fuji Process 120/220 Film? by Jeff Kelley
• glass carriers with cold light enlargers by Shawn Wrobel
• El-Nikkor 50mm or Rodenstock Ysaron? by Pat Johnson
• user manual for Ilford 500 Multicontrast enlarger head by Milco van Klingeren
• Kodak, A&I, and others by Marcelo P. Lima
• Cross-processing c41 in e6? by Jack Malipan
• Source of chemistry in Zurich, Switzerland by Stefan G Hild
• Southeast B&W Lab by Jarrell Conley
• MF Processor Recommendation for Chicago N or NW Suburbs? by Chuck DeSantis
• prints from 6x17 chromes by Jim Chow
• Making duplicates smaller than the original for projection by Pete Dickson
• Good Pro Lab needed in Israel by David Klepacki
• No stop bath - What to do? by Jason Downes
• Techniques for cropping slides by Manrico Scremin
• Drying Fibre Base prints by Ian James
• Freeson Process/Prints by -- --
• Enlarger Scanning by Ken Henman
• Enlargements 35vsMF by Bret A Behrens
• trouble with XTOL by Ricardo Janeiro
• Dark-Room Texts by Harry Belcher
• Lightproofing Materials by Jack Mitchell
• Sowjet/Russian Lenses for 6x6 prints by Rolf Buechsenschuetz
• Platinum and iris printing by Sai-Kit NG
• Old Time-o-Lite foot pedal... by John P
• Do mac model 17 print processer info sought by Michael F. Flynn
• negative cabinet alternatives.. by John P
• use Tri-x with color print paper by Kenny C.
• Drying double weight printing paper. by Sudesh Balan
• Negatrans News? by Paul Rossi
• How to warm prints w/o toning? by John P
• Printing T-Max on Sterling Paper by Sudesh Balan
• Omega B-7 enlarder and Ektar lenses... by John P
• Lens Size for printing 6x4.5 negs by LMPipes --
• Konica color processing... by John P
• Ilford films developed in Ilfosol-S by John P
• Kaiser VCP-9005 6x9 full frame printing ??? by Adam Grochowalski
• Beseler Dichro 67 compatible with 105mm for 6x7? by Tom Raymondson
• ilforchrome classic--color contrast by Jim Chow
• Cold Light Heads - Any better than Dichroic? by Marc T
• Beseler parts sources? by Al Sapouckey
• Dry mounting color images by Kenneth Grunzweig
• Selenium-toner and VC-papers, what does it do? by Peter Olsson
• Labs in Hawaii? by Glenn Edwards
• Web Site(s) for Darkroom Plans by Gene Crumpler
• C-41 with the Jobo CPA-2 processor? by Gary B. Campbell
• Kodalux PK-12 Mailers by Bill Steinhurst
• 6x6 processing by Joao Carlos Reis Romualdo --
• Jobo CPE2 or ATL 1000/1500 experience or recommendations? by Rodney Laster
• Beseler Dichro S2 enlarger by Rodney Laster
• Question on MF slide mounting by Bill Clarke
• Using both e-6 and c-41 for color reference by stephen poe
• Schneider 80mm companon-s for 6x7 printing by Sucai Bi
• Beware of Kodak Processing from Rockville, MD by Jim Richey
• Lab for Printing of Odd Format by Jim Richey
• First Experience with Sunset Color Labs by Mark Hubbard
• Photo Labs for 120 B&W/Color by Tamal Ghosh
• xtol vs tmax developer by John Dorio
• pre-developer water bath by George Nedleman
• Has anyone used the Durst Printo Auto Processor? by stephen poe
• Where to get 6x9 developed/printed by Jason Buchanan
• film development by Gerald Di Giampaolo
• Outdated paper by George Nedleman
• Recipe for bleach/fog by Fritz M Brown
• Agfa Multicontrast Classic paper by Dimitris Metaxas
• tech pan developers by David Corwin
• Ektacolor RA Chemicals - What About Stabilizer? by Tony Doucet
• Print B/W from color negatives? by John Gaasland
• Thanks folks, but another question by C. Chiang
• Diffusion Enlargers by Grant A. Thompson
• 6x7 vs 4x5 Enlargements by Mark Alan Wilson
• 105 enlarger lens question by C. Chiang
• Rollei 6 x 7 Enlarger by Tim Sheldon
• B/W processors by Steve --
• Experience with PMK Pyro by James Lewis
• 23 CII for 6x7? by Robin Vota
• How do I get a print from a MF slide? by Christine Cone
• Wedding Album by Tom Chen
• MF vs. 35mm @ 11x14 by Richard Fulco
• comparative density readings by George Nedleman
• 120 Kodachrome processing by Gary Banowetz
• Processing equipment by Barak --
• Zone VI Enlarger experience by Jerry Robinson
• Fujiflex Color Material by Robert Thomas
• Color Film Processing chemicals by Steve Springer
• cold print mounting by George Nedleman
• Print washer by George Nedleman
• Desperately seeking C-41 lab by Lou Grinzo
• Vivitar VI and Saunders LPL carriers. by Ted --
• loading reels for 120 tank by Doug Anderson
• Amateur Photographer/Processor- Need a certain negative Carrier... by Jay Wing
• Print washer by George Nedleman
• Who really knows a good affordable lab for 8x10's? by F. Schall
• negative carriers by Kenneth Grunzweig
• Development problems. by Guy Van den Bril --
• Ilford ID-11 formula by Geoff McAuliffe
• Cold light conversion by George Nedleman
• omega B-ss enlarger lens plus condensor by christian mani
• Instructions for Concept 6 by Stuart Dawes
• Cold lgt vs. Cond. for MF by George Nedleman
• best enlarger for 6X7 by Shawn Wrobel
• Maintaining temperature when processing film/paper by JH Jansen
• YOB Exposure system by George Nedleman
• 80mm Rodagon WA lens by D Khong
• air bubbles on film by Paul Reynolds
• Good film lab for less $$$? by John Gaasland
• Air Bubbles? by Steve Udell
• Beseler 23C evennesss-of-illumination problem by Peter Hughes
• Inexpensive Mail Order 6x7 Print Processing by JACK HAGEDORN
• Saunders / LPL 4550 by Ted --
• How to make color print enlargements and enlargements from slides by Jim Chow
• Prints made directly from 6x6 slides. by Ronald L. VanDevander
• 6x7 machine prints by Tom Chen
• Polaroid Processing by Marc T
• unauthorized cropping! by Mark C. Williams