Sigma makes some interesting lenses for digital SLR cameras. They also produce some of their own digital SLR bodies with a class-unto-itself new type of sensor. Sigma is mainly known as a third-party lens manufacturer, producing lenses in mounts compatible with the major brands: Canon, Nikon, Pentax, Sony, Olympus. They offer high-quality glass in many of the popular focal lengths which, in many cases, are at more affordable prices than the specific manufacturer’s offerings. Read More »
In September of 1995 Canon introduced a revolutionary new lens, the EF 75-300/4-5.6 IS
USM. The revolutionary aspect of this lens was the incorporation of an optical image
stabilizer system which allowed the lens to be hand held at shutter speeds two stops
slower than could be done with a conventional lens. Optically the EF 75-300/4-5.6 was very
good at the wide end, but became a little soft at 300mm, especially when used wide open.
In fact the lens wasn't bad - I've actually used one for the last few years - but at 300mm
it paid to shoot at f8 and tweak up the resulting image in PhotoShop. The EF 75-300/4-5.6
IS USM was reviewed here on photo.net in February 2003: http://www.photo.net/equipment/canon/75-300IS/
Then in June of 2004 Canon introduced a somewhat similar lens, but this time using
diffractive optics (DO). The result was significantly better performance at 300mm in terms
of sharpness, though some users reported optical effects from the diffractive optics could
cause undesirable image effects under some circumstances. The EF 70-300/4.5-5.6 DO IS was
smaller, but heavier than the EF 75-300/4-5.6IS USM and it also used a true ring USM motor
with full time manual focus and a dual mode IS system which allows horizontal panning. The
EF 70-300/4.5-5.6 DO IS USM was reviewed here in June 2004: http://www.photo.net/equipment/canon/70-300do/
The most recent incarnation of the original IS lens, the Canon EF 70-300mm f/4-5.6 IS USM
was introduced in October 2005. While being physically very similar to the original lens
(within a few mm in size and a few gm in weight), there were some optical and mechanical
differences. The EF 70-300/4-5.6 IS USM is 5mm wider at the wide end, uses a single UD
glass element, and has a revised AF system (though it still uses a micro USM motor rather
than a ring USM). It also has a zoom lock at the 70mm position to prevent "zoom
creep" while the lens is being carried and it has a dual mode 3rd generation IS
system which allows horizontal panning.
Here's a short summary of the specifications of these three lenses:
Lens
75-300/4-5.6
IS USM
70-300/4.5-5.6 DO IS USM
70-300/4-5.6
IS USM
Introduced
September 1995
June 2004
October 2005
Original Price
88,000 yen
174,000 yen
(w/case and hood)
88,000 yen
Approx price as of October 2005
$450 (discontinued)
$1150
$650
Motor
Micro USM
Ring USM
MicroUSM
IS panning mode
No
Yes
Yes
Full Time Manual Focus
No
Yes
No
Lens Construction (group)
10
12
10
Lens Construction (element)
15
18
15
No. of Diaphragm Blades
8
6
8
Minimum Aperture
32-45
32-40
32-45
Closest Focusing Distance (m)
1.5
1.4
1.5
Maximum Magnification (x)
0.25
0.19
0.26
Filter Diameter (mm)
58
58
58
Maximum Diameter x Length (mm)
78.5 x 138.2
82.4 x 99.9
76.5 x 142.8
Weight (g)
650
720
630
EF 70-300/4-5.6 IS USM Performance
I've been working with the new lens for about a week now and here's my take on it so
far.
Autofocus
The AF is certainly faster than that on the original EF 75-300/4-5.6 IS USM. I measured
a time of approximately 0.65 seconds for the lens to go from infinity focus to closest
focus. This compares to 0.9 seconds for the original lens. The turnaround time is faster
too, i.e. if the lens goes from infinity to close focus and doesn't find focus, it will
pause and then go from close focus back to infinity. The cycle time for the new lens is
1.6 seconds, while the old lens took 2.6 seconds.
Manual Focus
The manual focus feel of the new lens is essentially the same as the original lens,
i.e. sloppy and undamped. This isn't a lens you'd want to use manual focus with unless you
had to. Fortunately, autofocus seems fast and accurate, so resorting to MF isn't something
that will be required often.
Image Stabilization
Canon claim that the new IS system gives an extra stop of "handholdability".
This is very difficult to measure since when handholding a lens with IS there is a certain
probability of sharpness, i.e. at the longest shutter speeds not every shot will be
equally sharp. However I can say that visually (i.e. looking through the lens), the IS
system does seem more effective and in practice when shooting in the 1/60-1/90s shutter
speed range at 300mm, the new lens gave a somewhat greater percentage of sharp shots than
the original lens, so Canon have certainly improved the IS. Is it a full stop better?
Maybe. As I said it's something that's quite difficult to quantify. However there's zero
doubt that it works! Below are 6 shots taken at 1/125s, 3 with IS on and 3 with IS off.
Sharpness
The original lens was very sharp at 70mm (as is the new lens), but became softer when
zoomed to 300mm and shot wide open. I typically tried to shoot at f8 if I was zoomed out
to 300mm. The performance of the new lens is improved at 300mm. Both sharpness and
contrast are increased and it's possible to shoot wide open at 300mm and get good results.
It's not as good as a 300/4L, but then nobody could reasonably expect it to be. Canon's
published MTF data suggests that it should be as sharp as the more expensive
70-300/4.5-5.6 DO (diffractive optics) lens and I can believe that - though I did not have
a DO lens available for a side by side comparison so I can't say for sure.
Below are 100% crops taken from the center of images shot using and EOS 20D wide open
at 300mm.
Contrast and Flare
Under normal conditions contrast seems a little higher with the new lens. Again this is
something that's hard to quantify, but qualitatively, I think it's better. Flare also
seems slightly better controlled, although like almost any lens, and certainly any
consumer lens, if you have the front element in direct sunlight, you will have flare and
contrast problems. A lens shade (or a suitably positioned hand or hat) is the only
effective way of reducing flare under those circumstances as dramatically shown below:
Chromatic Aberration
CA (chromatic aberration) is still visible in the new lens, just as it was in the
original, but the magnitude and intensity of the colored fringes is slightly lower. Again,
not as good as a 300/4L, but again, you wouldn't expect it to be.
Build Quality
Build quality is similar to that of the original lens. It's a consumer zoom, not an
"L" series lens. That's not to say that it's flimsy, but there is some barrel
wobble when extended to 300mm. The addition of the zoom lock at 70mm is useful, since the
lens will extend to the 300mm position when carried on a camera and pointing downwards.
Overall Conclusions
The new EF 70-300/4-5.6 IS USM is a better lens than the original EF 75-300/4-5.6 IS
USM, as it should be since it costs at least $200 more. $650 isn't cheap, and in fact it's
more expensive than the EF 70-200/4L. The original lens has been discontinued, so the
decision as to which is the better value of the two is now moot. Maybe you can still find
a new one, but it's getting tough. Used ones sell on Ebay for around $400. I'd say the new
lens at $650 is probably better value than the DO lens at $1150, as long as you can live
without a silent ring USM motor and full time manual focus and don't mind the extra
1.5" in length. If you shoot at 300mm a lot, I'd say pay the price for the EF
70-300/4-5.6 IS USM. If you shoot most of the time at the shorter end, you can save $250
or so by getting the original lens used (or maybe you could find a new one if you're
quick), so if funds are tight that's not an unreasonable option. I can tell you that I
have upgraded to the new lens (anyone who wants to buy my 75-300IS...email me!).
Whether the EF 70-200/4 L? USM ($600) or the EF 70-300/4-5.6 IS USM ($650) is the
better buy depends a lot on your application. If you're shooting from a tripod and don't
need to zoom to 300mm, the EF 70-200/4L is a very good buy. You can add a Canon 1.4x TC to
get to 280mm, though it takes takes time to add and costs around $300. On the other hand
if you're shooting handheld and need the ability to easily zoom from 70 to 300mm without
stoping to add a TC, then I think the EF 70-300/4-5.6 IS USM might well turn out to be the
better choice.