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Carl Zeiss Tele-Apotessar T* 300mm f/2.8 lens

by Sean Y., 1998


The Tele-Apotessar T* 300mm f/2.8 is a very fast, exorbitantly priced Carl Zeiss telephoto lens in the Contax/Yashica SLR mount capable of taking some very, very nice pictures. It is a good lens for isolating subject matter in architecture and landscape photography, and not bad as a portrait lens since the perspective of this long lens tends to flatten facial features.

Mounted on a monopod, this is probably a decent sports lens.

I used a sample lens provided by the local Contax rep during a wildlife "safari" sponsored by Contax and Keeble and Shuchat Photography (my local pro shop); the lens was quite useful for larger animals (a longer lens is considered de rigueur for bird photography).

Physical Characteristics

Construction is metal, lots of glass, and a wide rubberized focusing grip. The aperture ring (f/2.8-f/22) has detents at full apertures (although there are half-aperture settings).

The Tele-Apotessar weighs 2,730 g. (6 lbs.) which isn't particularly heavy compared to other 300/2.8 lenses. Zeiss had steadfastly refrained from changing the SLR lens design to autofocus; there is no motor inside this nor any other Zeiss 35mm lens.

This lens has an older AE diaphragm and will only work in aperture-priority autoexposure or full manual mode; it had no problem coupling with my Contax 167MT. The newer MM diaphragm in most Zeiss lenses also allows program and shutter-priority autoexposure.

I didn't notice any flare problems with this lens when I shot with it, and whether that's due to the special low dispersion Zeiss glass, the optical design, or any other factor, I just don't know. I did use the built-in slide type metal lens hood.

The convenient tripod collar has detents every 90 degrees. Using my spare B9 mount plate from Really Right Stuff, this lens sat very nicely atop my Arca-Swiss B1 ballhead.

Accessories

There is a metal 111mm screw-in lens cap for the front, and another cap for the back.

Like many other 300/2.8 lenses, there is an exclusive filter drawer and if you don't use it, you'll probably get weird reflections. In any case, I would guess that the optical calculations by the Zeiss engineers includes this filter. Use the UV filter if you don't want any special effects.

Zeiss throws in a nice felt-lined hard case for the lens and the aforementioned goodies.

Apparently, the new and predictably expensive Mutar III 1.4× teleconverter will function with this lens. Zeiss recommends the Mutar II 2× teleconverter for this lens if you want to get to 600mm.

Documentation

I didn't see any documentation with the sample lens, but I would guess that a retail lens comes with the same sort of data sheet featuring MTF curves, etc. as any other Zeiss lens.

Performance

Yeah, it's good.

The amusing part: the price

You can buy one from the photo.net recommended retailers. Your local Contax dealer would also be very pleased to acquire the lens for you. It is the most expensive lens in the Zeiss 35mm SLR product line (except for the special order lenses like the 1000mm beast). If you're building a Contax/Zeiss system and you're not worried about sending kids to college, paying off the mortgage, giving 5 carat D-flawless diamonds to loved ones, etc., etc., this is a fun way to unload the pesky burden of US$12,000-15,000.

For what you're paying, it probably couldn't hurt to ask them to throw in the Mutar II, a brick of your favorite film, and waive the shipping charges.

Why is it so expensive?

Ask the folks at Contax or Zeiss and I'm sure you'll get an earful of homilies concerning uncompromised optical design, material, manufacturing tolerances, etc.

Is it worth it?

I'm not sure. If someone pointed a gun at my head and said, "You must spend $12,000 in a photography store," I think I'd rather have a compact view camera (like the Linhof Technikardan 45S), some large format lenses, and a fridge full of 4×5 sheet film. Still, the Tele-Apotessar is a very nice lens, and I don't feel that I would be unhappy if someone gave me one.


Copyright © 1997-98 Sean Y. All rights reserved.

Article created 1998

Readers' Comments


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Mike Rott , February 18, 1998; 07:12 A.M.

A couple of comments. I don't know why you think it *probably* would be a good sports lens. 300/ 2.8's *are* good sports lenses. I know a guy who made his living shooting the pro downhill ski circuit around the world with a zeiss APO-tessar.

This lens has very little flare, but that is typical of almost all zeiss lenses with a few exceptions and has more to do with the T* coating then anything else.

The lens has a relatively small tripod collar mount compared to other such lenses and in my opinion could be bigger and more solid (compare it to the older leica 280/2.8 which is rock solid for example). Mine has had to be replaced once because it had gotten too loose. Luckly this is easy to get fixed.

The lens mount is the same for other zeiss lenses, ie somewhat fragile. Because of the extra weight of this lens you have to be more careful not to accidently damage it. I damaged one after only a year of use and had to get it replaced. Again, this is easy and inexpensive to replace. I dropped by Zeiss Oberkochen to get it fixed and toured their optical museum which is in the same building while it was getting repaired. They also gave me a spare mount so that if I should be so clumsy and ruin it again, I can easily replace it myself.

As mentioned the lens takes 111mm front filters, however, neither zeiss or anyone else that I know of makes 111mm filters. Not that anyone would make a habit of buying such a thing, but it would be nice to get a front screw on protection filter for it for cirtain situations. You could get one custom made by B&W I suppose. The metal screw on lens cap is very nice, however, I think I now know why most manufactures don't offer this. With this size of lens, contraction and expansion due to temperture changes is significant enough that it can cause the lens cap to seize on. This is not a problem if you are careful not to screw it on tight and always leave it a bit slack. Logically, you would use the drop in filter holder if you where planning on using filters with this lens. Catch is, there aren't any. The UV filter it comes with, is screwed into the holder and can't be exchanged. I think ziess will sell you a sparate holder for other filters, but they don't make any for it, and they are will warn you that you can't just put any filter in it as it has to be of the right thickness not to screw up the optical properties of the lens (this goes for all lenses with internal filters). There is a prototype polarizing filter made for zeiss by B&W, but B&W won't make one for you and neither will anybody else. Good thing I am not a big fan of filters. There is a myth I have heard several times, that zeiss APOs are corrected for IF. If the IF marking on the lens barrel is any indication, then this is not true. I havn't tested it myself, because I am still trying to figure out how/where to mount the red filter ).

The mutar II was specifically designed for this lens and gives good results. The mutar III however is really excellent with this lens. Stopped down to f4 you can't tell the difference with or without in 8x10 enlargements.

I don#t any experience with other 300mm lenses to compare it against except the zeiss 300/4. The 300/2.8 wide open is noticeble better then the 300/4 at any aperture. Stop the lens down to f4 and you get another jump in quality. Warning, after you have used it, you won't be satisfied with the 300/4 anymore. As another example, the 300/2.8 plus mutar II is as good or better then the 300/4 alone.

Why is it so expensive? Simple economics. If we assume that it was priced the same as the nikon equivalent, how many do you think they would sell compared to nikon? Nikon has a much bigger user base and can sell a lot more, making back their investment sooner. Zeiss would lose a lot on each one sold at that price, so their price is higher. This lens first can out in 1982 and was priced a lot less then it is now. They couldn't sell enough of them at that price to make it worthwhile and discontinued making it. It was brought back into production in 1992 at the much higher price.

Is it worth it? Is any lens worth that much? Most people think you are nuts spending $1000 on a lens. For me, it isn't worth $12,000, but then I was lucky enough to pick up a used one for a good (??!!) price :).

wayne chiu , April 21, 1999; 03:08 A.M.

Leica-R-280/2.8APO seemed to be considered as best 300mm lens with APO qulity. I think the price of Tele-Apotessar300/2.8 should be down to the price same as EF300/2.8L. If it is, many fans in the world will buy it without hesitate!

Wolfram Schnuebbe , September 09, 2001; 02:31 P.M.

I bought a Tamron Adaptall 2.8/300 mm lens with the Contax MM(!) mount two month ago for about 2.700 $ and added the Mutar II. I took it with me on a camping-trip around Lake Victoria, East-Africa and used it with the ST, Battery Holder P-7 and Focusing Screen FW-3. The optic quality is great, although the CZ-lens is said to be (of course) quite better. But one thing bothers me. You can turn the aperture further than 2.8 mm, so the display of the Camera (eg. ST and RX) shows 2.4 mm and the time-display switches to a shorter shutter speed. You can also turn the lens at the mount. So if you set the lens to 2.8 the display shows 3.5 mm, which also effects the shutter speed.

I guess, that is another reason, why the CZ lens is so expensive.

The lens came with a leather bag and a leather front-cover. Bothe would not help much against the dusty african roads. I used a peli-case (1520), which worked out quite well.


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