Happy Mother's Day! Happy Father's Day! Happy Graduation! Photo.net has great photography gift ideas for the Mom, Dad, or Grad in your life. Shop for camera bags, lenses, DSLRs, and more...
Clubs, bars, and small venues are the places where most concert and live music photographers get their start, the reason being that there are fewer restrictions since the performers are less likely to...
Despite having a plastic shell this lens feels quite solid, possibly because
of it's compact dimensions of 37 x 65mm. The main advantage of plastic
construction is light weight, and this lens weighs a mere 0.17kg. The inner
focusing tube doesn't rattle but it does have some play when fully extended,
which is the price to pay for auto-focus operation. 49mm filters can be used, and
the lens is supplied without a hood or case.
Optical
This lens is constructed of 6 elements in 5 groups. Despite not having a lens
hood for it, flare has not been a problem to date, so the lens seems quite
resistant to it. Even wide open at F1.7 results are sharp and contrasty, but
stopping down to F2.8 or more improves this slightly. Photographs taken with this
lens seem a bit cooler than those taken using my
FA 100mm F2.8 macro. No distortion or vignetting is
visable at any aperture, and close focusing of 0.45m gives a maximum
magnification of 0.15.
Handling
Mounting such a small lens on a compact 35mm SLR, such as my
Pentax MZ5 almost puts the combination in the P&S
category! With a fast F1.7 maximum aperture you get fast AF even in low light
conditions, and with low guide number built in flashes you get a useful range
increase over slow zooms.
Manual focus feel is good for an AF lens with a decent amount of friction,
although the manual focus ring is very small (5mm) and doesn't have any structure
to aid feeling. Despite not being an internal focus construction the filter mount
does not rotate during focusing - helpful if graduate or polarising filters are
in use.
Compatibility
As you would expect I have not had any compatibility problemson the only body
I've use it on so far a
Pentax MZ5/ZX5
Price
I paid about DM300 (ca. $160) in May 98, but from a
photo.net recommended retailer it should cost
around 140 USD (August 1998).
Conclusion
This is the cheapest way to get a fast lens and as a bonus you also get
excellent optical quality - this type of lens should be in everyones bag.
Editor's Note:
Where to Buy
The SMC-FA
50 is stocked by Adorama, a retailer that pays photo.net a referral fee for
each customer, which helps keep this site in operation. For additional retailer
information, see
our recommended retailers
page and
the user recommendations section.
copyright 1998 Andreas Busse
The picture at the top was taken on the Coburg at Coburg while a motorcycle
trip through "Thüringer Wald" an eastern part of Germany. I used my MZ5/ZX5
in aperture priority with the lens at F1.7 on FUJI Sensia II 100.
Add/View Comments
Here's a trick. Buy a fast, inexpensive, excellent quality SMC-M(or A) 50mm 1.4, pair it up with a 1.7 AF converter and u have a reasonably fast 85mm autofocus with IF (or rear focus in this case) no lense movement, and the abilty to manually touch up focus with out fiddling with the damn switch. Close focus distance is halved so it also an instant macro of sorts.
I loved this lens when I had it. I also love the
Pentax-F 1.4 that replaced it. Both
exquisitely sharp, with excellent contrast and
fine gradation from lightest to darkest
subjects; seems to have more levels of
gradation than many other 50mm (I tried
Brands C and N). This, incidentally, may
be what makes Leica lenses so life-like
in their tonal rendition. Focus is snappy. On
either one, I can visually focus faster than my
cameras (SF-1, PZ-1, ZX-5) can. The only reason I
don't have the 1.7 FA any more is that I traded it
for the Pentax-F 1.4, to someone who HAD to have
the newest model of anything; I traded a couple
of years for the half f-stop.