The MZ5 was the first of Pentax's latest generation of 35mm SLRs - returning
to a more traditional look and control layout, and seeming turning around the
slump in market share that Pentax had experienced.
Build
Despite being very light (Pentax claim 400g without batteries) and rather
small, this plastic camera is well built enough to stand rough treatment (I'm
rather harsh on my equipment at times). Metal is used where important (the lens
and tripod mounts for example) and mine has survived a few drops on the floor
without damage or marking the rather attractive silver finish. The initial
production runs seemed to be done in Japan, but mine comes from the Philipines -
this doesn't seem to affect build quality in the slightest.
Features
Shutter: 30s-1/2000s in auto exposure modes, 2s-1/2000s in manual. Flash sync
1/100s.
Metering: 6 segment evaluative, centre weighted and spot - all modes user
selectable. With lenses prior to the A series evaluative metering is not
available. +/- 3 stops exposure compensation.
Modes: Program, aperture priority, shutter priority, metered manual and
bulb.
Flash: Retractable flash with guide number 11 built in - covers up to 28mm
lenses. Hotshoe for use of external Pentax TTL flash units.
Auto-Focus: 3 point AF, switchable to single point. Automatically switches to
predictive mode on sensing subject movement.
Motorwind: Single frame and 2 frame per second user selectable. 12 second self
timer.
Other: Mid-roll switchable panoramic mode, with viewfinder masking.
Viewfinder: 0.8x magnification, covering 92% of the actual field of view. In
viewfinder indications of in-focus, flash, shutter speed, aperture, exposure
compensation bar graph (also used for over/under indication in metered manual
mode).
LCD screen: Film status, frame number, AE mode, shutter speed and aperture
value, DX or manual film speed setting, various warnings.
Others: Electronic cable release socket, Optional AA battery pack.
Handling
Now we've got the bare facts out of the way, I'll discuss what the camera is
actually like to use. First of all here is what is missing that I'd like :-
Auto-bracketing, PC socket, depth of field preview, exposure lock (MZ5n has
all of these except the PC socket).
I'd gladly lose the panoramic mode and the power zoom support (the power zoom
functions already aren't supported) - I know not everyone agrees with this.
The camera is very traditional to use - it has an aperture ring on the lens
and a conventional shutter dial. Set both to their A position and you're in
program mode (unlike the Z range of cameras, program shift is not possible). Set
the aperture ring to a position other than A while the shutter dial is set to A
and you're in aperture priority. Reverse that with the aperture ring at A and the
shutter dial at a manual setting and you're in shutter priority mode. With both
off of the A position you're in manual mode. Personally I shoot 90% of the time
in aperture priority, a little in program mode and often use the X-sync position
in the studio.
One minor inconvenience of such a control setup is that there is no space on the
shutter speed dial for half stop speeds, or for shutter speeds longer that 2
seconds, even though the camera can set up to 30 seconds in automatic modes.
The handling of the camera is generally good and straightforward - minor
niggles are that to use spot-AF you have to keep pressing the spot-AF button
(solved on the MZ5n), and the the viewfinder information has a few important
items missing and what is there can be difficult to see in strong sunlight. The
main viefinder ommission that troubles me is that (unlike the Z1p) there is no
display of the current metering mode - on occasion I've switched to spot-metering
and forgotten to switch back, and sometimes it can be a while before I notice.
Also having a spot-meter but no AE-lock is a bit of a shame, as it really
requires you to switch to manual mode to get the benefits that a spot-meter can
provide.
The AF performance is pretty decent - I think the Z1p may be faster in good
light (it has a bigger motor) but the MZ5 certainly hunts less in low light. It's
also a lot quieter, but still not up with the Canon EOS system with its USM
lenses. Overall the camera is quiet in use in fact - I've shot in a theatre
without anyone hearing the camera, not something you'd do with the Z1p!
Like most of the Pentax 35mm SLRs you have access to a very wide selection of
older lenses. AF lenses such as the F and FA ranges work best of course, but the
A lenses retain all camera functions other than AF. The M series lenses and
earlier don't have an A setting on the aperture ring, so you lose program and
shutter priority modes, along with 6 segment evaluative metering. Even the
earlier M42 screw mount lenses can be used with an appropriate adaptor, although
you'll lose some functions.
I've used a wide range of Pentax K-mount lenses on this camera with no
problems, along with a couple of different Pentax flash units. Some people have
reported problems using older flash units but I'm not in a position to verify
this.
Performance
I mostly shoot colour slide film, which is a good test of a cameras metering
system. The 6 segment metering has been very very accurate, only confused by the
most difficult of lighting situations - when I switch to spot-metering mode. The
light weight and good handling of the camera have allowed me to take the camera
when before I may have used a point and shoot, and there has been a dramatic
improvement in the quality of my "casual" shooting as a result. Allied to lenses
such as the FA* 24mm F2 and FA* 85mm F1.4 (conveniently a very nice cosmetic
match as well) this camera has produced some of my favourite photographs.
I check all my cameras meters against my external Sekonic L408 meter, and my
MZ5 is spot on.
Price
I paid 2000 Hong Kong Dollars for this camera in late 1997, which was about
half the UK price at that time. Nowadays you might find one cheaply, as it's been
effectively replaced by the updated MZ5n.
Conclusion
A nice portable camera with traditional handling and capable of very fine
results. Don't buy one though unless it's very cheap, as the MZ5n is even
better.
This camera is as different from the Z1p as it's possible to get within the
same manufacturers range, but despite that I like them both - the Z1p for
"serious" shooting, and the MZ5 for "casual" duties and when weight is an
issue.
Editor's Note:
Where to Buy
The ZX5
is stocked by Adorama, a retailer that pays photo.net a referral fee for each
customer, which helps keep this site in operation. For additional retailer
information, see
our recommended retailers
page and
the user recommendations section.
The MZ5 was the first of Pentax's latest generation of 35mm SLRs - returning
to a more traditional look and control layout, and seeming turning around the
slump in market share that Pentax had experienced.
Build
Despite being very light (Pentax claim 400g without batteries) and rather
small, this plastic camera is well built enough to stand rough treatment (I'm
rather harsh on my equipment at times). Metal is used where important (the lens
and tripod mounts for example) and mine has survived a few drops on the floor
without damage or marking the rather attractive silver finish. The initial
production runs seemed to be done in Japan, but mine comes from the Philipines -
this doesn't seem to affect build quality in the slightest.
Features
Shutter: 30s-1/2000s in auto exposure modes, 2s-1/2000s in manual. Flash sync
1/100s.
Metering: 6 segment evaluative, centre weighted and spot - all modes user
selectable. With lenses prior to the A series evaluative metering is not
available. +/- 3 stops exposure compensation.
Modes: Program, aperture priority, shutter priority, metered manual and
bulb.
Flash: Retractable flash with guide number 11 built in - covers up to 28mm
lenses. Hotshoe for use of external Pentax TTL flash units.
Auto-Focus: 3 point AF, switchable to single point. Automatically switches to
predictive mode on sensing subject movement.
Motorwind: Single frame and 2 frame per second user selectable. 12 second self
timer.
Other: Mid-roll switchable panoramic mode, with viewfinder masking.
Viewfinder: 0.8x magnification, covering 92% of the actual field of view. In
viewfinder indications of in-focus, flash, shutter speed, aperture, exposure
compensation bar graph (also used for over/under indication in metered manual
mode).
LCD screen: Film status, frame number, AE mode, shutter speed and aperture
value, DX or manual film speed setting, various warnings.
Others: Electronic cable release socket, Optional AA battery pack.
Handling
Now we've got the bare facts out of the way, I'll discuss what the camera is
actually like to use. First of all here is what is missing that I'd like :-
Auto-bracketing, PC socket, depth of field preview, exposure lock (MZ5n has
all of these except the PC socket).
I'd gladly lose the panoramic mode and the power zoom support (the power zoom
functions already aren't supported) - I know not everyone agrees with this.
The camera is very traditional to use - it has an aperture ring on the lens
and a conventional shutter dial. Set both to their A position and you're in
program mode (unlike the Z range of cameras, program shift is not possible). Set
the aperture ring to a position other than A while the shutter dial is set to A
and you're in aperture priority. Reverse that with the aperture ring at A and the
shutter dial at a manual setting and you're in shutter priority mode. With both
off of the A position you're in manual mode. Personally I shoot 90% of the time
in aperture priority, a little in program mode and often use the X-sync position
in the studio.
One minor inconvenience of such a control setup is that there is no space on the
shutter speed dial for half stop speeds, or for shutter speeds longer that 2
seconds, even though the camera can set up to 30 seconds in automatic modes.
The handling of the camera is generally good and straightforward - minor
niggles are that to use spot-AF you have to keep pressing the spot-AF button
(solved on the MZ5n), and the the viewfinder information has a few important
items missing and what is there can be difficult to see in strong sunlight. The
main viefinder ommission that troubles me is that (unlike the Z1p) there is no
display of the current metering mode - on occasion I've switched to spot-metering
and forgotten to switch back, and sometimes it can be a while before I notice.
Also having a spot-meter but no AE-lock is a bit of a shame, as it really
requires you to switch to manual mode to get the benefits that a spot-meter can
provide.
The AF performance is pretty decent - I think the Z1p may be faster in good
light (it has a bigger motor) but the MZ5 certainly hunts less in low light. It's
also a lot quieter, but still not up with the Canon EOS system with its USM
lenses. Overall the camera is quiet in use in fact - I've shot in a theatre
without anyone hearing the camera, not something you'd do with the Z1p!
Like most of the Pentax 35mm SLRs you have access to a very wide selection of
older lenses. AF lenses such as the F and FA ranges work best of course, but the
A lenses retain all camera functions other than AF. The M series lenses and
earlier don't have an A setting on the aperture ring, so you lose program and
shutter priority modes, along with 6 segment evaluative metering. Even the
earlier M42 screw mount lenses can be used with an appropriate adaptor, although
you'll lose some functions.
I've used a wide range of Pentax K-mount lenses on this camera with no
problems, along with a couple of different Pentax flash units. Some people have
reported problems using older flash units but I'm not in a position to verify
this.
Performance
I mostly shoot colour slide film, which is a good test of a cameras metering
system. The 6 segment metering has been very very accurate, only confused by the
most difficult of lighting situations - when I switch to spot-metering mode. The
light weight and good handling of the camera have allowed me to take the camera
when before I may have used a point and shoot, and there has been a dramatic
improvement in the quality of my "casual" shooting as a result. Allied to lenses
such as the FA* 24mm F2 and FA* 85mm F1.4 (conveniently a very nice cosmetic
match as well) this camera has produced some of my favourite photographs.
I check all my cameras meters against my external Sekonic L408 meter, and my
MZ5 is spot on.
Price
I paid 2000 Hong Kong Dollars for this camera in late 1997, which was about
half the UK price at that time. Nowadays you might find one cheaply, as it's been
effectively replaced by the updated MZ5n.
Conclusion
A nice portable camera with traditional handling and capable of very fine
results. Don't buy one though unless it's very cheap, as the MZ5n is even
better.
This camera is as different from the Z1p as it's possible to get within the
same manufacturers range, but despite that I like them both - the Z1p for
"serious" shooting, and the MZ5 for "casual" duties and when weight is an
issue.
Editor's Note:
Where to Buy
The ZX5
is stocked by Adorama, a retailer that pays photo.net a referral fee for each
customer, which helps keep this site in operation. For additional retailer
information, see
our recommended retailers
page and
the user recommendations section.
copyright 1998 Steve Graham
The shot at the top of the article was taken using a Pentax MZ5 and FA* 24mm F2 lens on Kodak High Speed Infra-Red (HIE) film. A Kodak deep red 29 gel was used, in a Cokin P gel holder. The site is near Discovery Bay on Lantau Island in Hong Kong.
Article created 1998
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