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Sony released two new DSLR cameras: the Alpha A300 and Alpha
A350. They really only differ in pixel count. The A300 has a 10.2MP
sensor, while the A350 has a 14.2MP sensor. The only other notable
diffference is that the A300 (with the lower pixel count) has a
slightly faster continuous drive speed - 3 fps vs. 2 fps for the A350.
These cameras contain two features, which are new on DSLRs. First: a
tilt out LCD screen, so you can now view the screen with the camera
over your head or down at your feet. Second: both cameras have an
additional dedicated digital sensor, which can be illuminated via the
pentamirror and is devoted to
producing a Live View image. This means that the reflex mirror does
not have to be moved up and the camera shutter does not have to be
open in order for the LCD to be able to disply the Live View image. It
seems that for the first time Live View will be as easy to use on a
DSLR as it is on a P&S digicam. The tilt out LCD will help, making it
easier to view the LCD when the camera isn't directly in front of the
user.
My only question now is when will someone will combine this new Live
View system with a movie mode on a DLSR. It can't be too long
before that happens!
The Sony A300 and the Sony A350 are available for pre-order from
amazon.com in the following options:
SONY INTRODUCES TWO MAINSTREAM DSLR CAMERAS WITH UNIQUE
"QUICK AF LIVE" VIEW
SYSTEM
SAN DIEGO, Jan. 30, 2008 Sony is bringing live-view shooting
to its digital SLR
camera line with today's (alpha) DSLR-A350 camera and 10.2-megapixel
introduction of a
14.2-megapixel a (alpha) DSLR-A300 model. Both cameras feature new
technologies that make
picture taking faster, easier, and more familiar for first-time DSLR
users.
Quick AF Live View System
They both offer Sony's new "Quick AF Live View"
technology so you can frame
photos on the camera's LCD without sacrificing auto-focusing speed
common to other
live-view systems.
Sony's innovative Pentamirror Tilt mechanism directs light to a
dedicated live view
image sensor, enabling fast and responsive TTL phase-detection
auto-focusing, even during
live view.
Eliminating the focus delay of other systems, the new models are
equally responsive
whether using live view or optical viewfinder.
With its two sensor design, Quick AF Live View can even
continuously focus-track the
subject and provide live view during burst shooting, helping you
capture that special
moment.
Taking further advantage of Quick AF Live View is the models'
variable angle 2.7-inch
Clear Photo LCD screen. This makes it easy to frame scenes from
high or low
positions difficult to reach when using an eye-level viewfinder.
With Live View and an adjustable LCD, the cameras do not need to be
in front of the
user's face, allowing parents, for example, to maintain eye-contact
when photographing
their children.
"Mainstream users stepping up to DSLRs are looking for a
similar experience to
their point and shoot cameras, but without compromise in speed or
performance" said
Phil Lubell, director of marketing for digital cameras at Sony
Electronics. "Quick AF
Live View gives these new models a familiar shooting style without
compromising speed
ideal for the growing market of first-time SLR users."
Exceptional Image Quality
The new models produce images with fine detail, rich tonality and
vibrant color due to
their APS-C CCD image sensors and BIONZ processing engine. To aid
shooting in low light,
Super SteadyShot image stabilization enables shutter speeds 2.5 to 3.5
steps slower than
otherwise possible, with every compatible Minolta Maxxum and Sony a
(alpha) lens (sold
separately) attached to the camera.
High sensitivity operation at ISO 1600 and 3200 and very low noise
are made possible by
the user-selectable high-ISO noise reduction features. Sony's D-Range
Optimizer delivers
suitable tonality and exposures with rich shadow and highlight detail,
even under high
contrast situations.
Powerful Performance, Easy to Use
The DSLR-A300 model can shoot about three continuous frames per
second and the
DSLR-A350 model can shoot up to two-and-a-half continuous frames per
second, when using
the optical viewfinder. Both are powered by the Bionz processing
engine and supplied
InfoLITHIUMTM battery for fast start-up times, quick response and long
battery life
up to 730 shots per full charge when using the optical viewfinder and
up to 410 shots per
full charge in live-view mode.
Both models feature lighter, slimmer bodies for easy handling; an
improved user
interface; an automatic pop-up flash; a comfortable camera grip with
an easily accessible
mode dial; an anti-dust system to keep the CCD image sensor clean for
spot-free pictures;
and JPEG and RAW file format support. Both have a slot for
CompactFlash Type I/II
media cards.
An adaptor for Memory Stick Duo media cards is also available
for the cameras and
sold separately.
The new DSLR-A300 and DSLR-A350 cameras are compatible with a range
of accessories,
including the ergonomic Sony VG-B30AM vertical grip. Also available as
an option is the
new Sony HVL-F42AM flash unit. It offers advanced features such as
automatic white balance
adjustment with color temperature information, adjustable bounce
angles, ADI metering and
wireless remote operation to suit the needs of most photographers.
Price and Availability
The DSLR-A300 kit with a DT 18-70mm f3.5-5.6 standard zoom lens
will ship in April for
about $800. The DSLR-A350 camera body will be available in March for
about $800, and the
DSLR-A350 kit with a DT 18-70mm f3.5-5.6 3.9x zoom lens will be
available for about $900
at the same time.
Both cameras are available for pre-order from amazon.com.
Aren't these "new" features also available in the Olympus E-330 of some time ago? The Olympus E-3 has the tilt out LCD and Live View, but without the second sensor. The Olympus E-330 and the Panasonic L1 had a second sensor as far as I know. The extreme degree of tilting maybe an improvement and the positioning of the second sensor maybe different but in my opinion these are not completely new features.
The 330 also has a fold-out display. It even has two live-view modes: you can use either the secondary sensor (like the Sony) or the primary sensor (like all the other live-view cameras now).
The DSC-R1 is a cmos APS-C live view
the dsc-R1 is a 3mm from lens sensor cam (so perfect in daily use)
at iso 160 (till iso400) very usefull fast shutter (i use also nikon and canon and feel that differance)
no P-fringing - very low cromatic fault - almost no vigneting
it seems everybody forgot a very good thing if it comes to photo quality
And sony - try to forgot too - Why? (was it too cheap for the quality pics it produce?)
its SLOW SLOW if it has to compeet the same picture-quality cams
why aren't they working on the SPEED of the same idea as R1?
no mirror, sensor to the front (3mm from lens), topdisplay, ... together with antishake, duoprocessor, SLR lens,...
info:
look at the old test - dpreview a fixedlens350D - against zoomR1 the same quality (and in real life it is true)
why can't we push the engineers of sony?
I see Sony is on the way to releasing the full line of cameras that Minolta used to market with their Minolta Alpha/Dynax/Maxxum 1/2/3/4/5/6/7/8/9-series. Good for everyone.
The Sony DSC-R1 is still $800US at Sony Style Retail Stores. If they'd only make an updated model II with Anti-Shake, it would sell like gang busters. It's still in the Sony stores, and with high optical accuracy accessory wide and telephoto adapters at ~$400US each, plus close-up lens, plus flash, and spare battery, and charger, and maybe a case and cables, make it ~$2,000 complete new kit camera system. Or just the body anywhere from ~$400US lowest used.
By the way, why does Sony charge SO MUCH for their stuff?
Sadly, digital camera gear ages just as quickly as any other digital computer gear, and also sadly, there is often NOT an newer model with equal or better improvements at equal or better prices.
How about that new Casio EX-F1, 6 mp anti-shake stabilized CMOS 7.18 x 5.32 mm sensor, 12x 36-432mm (eq) f/2.7-4.6 zoom lens, with 60 frames per second capture? Dang, JPG only, so that counts me out. How many can they sell for ~$1,000US?
It seems the only "modern" integrated EVF camera with manual controls and RAW capture and active anti shake is the Fuji S100fs, 11mp, 14.3x 28-400mm (eq) f/2.8-5.3 (3 frames per second!) ~$750US new or used.
But the Sony DSC-R1 doesn't have active anti-shake and I can alternatively get a Sony Alpha DSLR WITH sensor-based anti-shake for all lenses, used or refurbished for ~$500US, with or without a lens included, and can also use my existing or many other old and future lenses ... hard to beat. The DSC-R1 is for brighter light or tripod use, but not hand-held low light, comparatively.
Finally, Sony appears to have a back door to the profession market, selling an adapter to use the Sony/Minolta Alpha/Dynax/Maxxum lenses on Sony Professional Digicams! Sneaky!
A very exciting market, even without Minolta directly playing it's ol' hand anymore.
I just bought the A350X and i was surprised for two things. first, i found out that the standard wireless receiver and transmitter unit the triggers a studio flash does not fit on the sony's accessory shoe. does any one know if sony makes it's own wireless transmitter and receiver?
the A350X has an embedded flash mode called "wireless mode" that triggers studio flash head but unfortunately it only works when the camera flash goes off.
second, the default resolution of the pictures taken by the camera is 72 ppi versus 300 ppi in the nikon!!! so much for high resolution
Here are my short experiences about Sony A350
The features are great. The camera is lightweight--which is good for some, not so good for others. For me, it's excellent--especially considering that I had added the vertical grip which adds an additional battery. It feels good and the shutter is much quieter than the Konica Minolta it replaced. It sounds exactly like the a700. Live view is nice if you use it ( Sony A350 live view example ). I hear that the viewfinder is supposed to be dimmer--but I haven't noticed it. The articulating screen is great for low-angle shots.
Problems:
The build quality, while not bad--is just not feeling as good as the Konica Minolta it replaced. The feel of the grip just does not feel as secure. That's it, though. It feels better than the Canon/Nikon in its class. The flash compensation is now hidden in the menu rather than the function screen.
I have had the A100 for a year or two now and found it an easy and comfortable fit in my large hands. I recently bought the A350 body and immediately noticed that the grip is considerably smaller. By adding a vertical grip I have restored the comfort zone and the A350 is giving me a lot of pleasure.
I have recently purchased (what I would call the definitive book) the Sony DSLR A300 series Digital field guide by Tom Bonner. This descriptive book is in two part.... the first section discusses the camera functions and the second section goes through numerous mini workshops on how to do what, when. Highly informative and well illustrated..... a Godsend on any field trip.
Well worth the money.
Regards