An interesting synopsis on attending Cliff Mautner's Lighting and Skillset Bootcamp. Read about the many topics and hands-on applications that were covered in the course.
Olympus today announced a new Micro Four Thirds body, the E-M5. It is the first in what Olympus is calling it's OM-D line of Micro Four Thirds bodies. A new lineup that is intended to attract a more...
There are few industries as heart-wrenching as the fine art business. It's a six-car pileup at the intersection of art and commerce and the amount of opinion and hyperbole that is somehow labeled as...
Earlier this year Sony said they were working on a 24MP full frame DSLR with built-in image stabilization and they intended to bring it to market by the end of 2008. Well, they did! The Sony Alpha A900 is just that camera, and what’s equally noteworthy is that the price is “only” $3000. When you consider that the only other current high pixel count full frame DSLR is the $8000 Canon EOS 1Ds MkIII, the $3000 price tag seems almost cheap. Nikon’s new full frame DSLR, the D700, is also $3000, but it has a 12MP sensor and Canon’s venerable EOS 5D full frame DSLR (which also has a 12MP sensor) currently sells for around $2200. The Sony Alpha A900 certainly sets a new price/specification standard, at least on paper.
If a 24MP full frame DLSR for $3000 wasn’t enough, Sony added in-body stabilization via sensor shift technology. The specifications indicate higher performance than the system found on their crop sensor DSLRs and they say that it should offer up to 4 stops of stabilization. The obvious advantage of in-body stabilization is that you only pay for it once, and every lens mounted on the camera becomes part of a stabilized system. That means that all wide and normal primes become stabilized, something currently not possible with Canon and Nikon’s approach of putting stabilization in the lens rather than the camera body.
The Alpha A900 uses dual image processors to deal with the large amount of data, which the sensor generates and enable a continuous shooting rate of 5 frames/sec. The ISO range is 200-3200, expandable to 100-6400 via a custom function. While not as wide a range as the Nikon D700 (100-25,600), it’s probably as much as most photographers will need.
While the EOS 5D now seems a little dated, that should change when Canon announces their successor to the EOS 5D in the next few weeks, prior to the Photokina show at the end of September. Internet rumors abound, but it looks very likely that the new “Canon 5D MkII” will have a 20+ MP full frame sensor and my guess is a price around $3000, so it will likely go head-to-head with the 24MP Sony A900 and the 12MP Nikon D700.
Amazon.com has the Sony A900 available for pre-order:
SAN DIEGO, Sept. 9, 2008 — Sony is introducing its full-frame, a (alpha) DSLR-A900 camera, aimed at serious photo enthusiasts looking for traditional SLR performance with the added benefits of digital photography.
It is designed to deliver ultra-fine picture quality with the world’s highest resolution, 24.6-megapixel, 35 mm full-frame CMOS sensor and fast image processing with a new dual BIONZ processing engines. The camera is also the first to have a body-integrated image stabilization system for a full-frame sensor with Sony’s SteadyShot Inside anti-shake system.
One look at the camera’s distinctive pentaprism and nostalgic body design will evoke its full-frame optical performance. It features a bright, clear optical viewfinder with 100% field of view coverage that would impress even film photography loyalists.
“The a (alpha) DSLR-A900 introduction solidifies Sony’s position as a leading camera manufacturer that can meet the demands of serious enthusiasts,” said Phil Lubell, director of digital camera marketing at Sony Electronics. “It represents the best in sensor and image processing technologies and offers enhanced functions, performance and reliability so photographers can push their creativity to the limit.”
The camera’s Exmor CMOS sensor delivers the photographic expressive power of wide angles and perspective that only a 35 mm full-frame sensor can offer, and is designed to take advantage of the resolving power of high-precision a (alpha) lenses. Its high pixel count and large size provide enhanced image detail and a wider dynamic range for natural color reproduction and subtle tonal gradations.
The sensor is produced using proprietary Sony planarization technologies to ensure an ultra-flat surface across the entire imaging area. Instead of a single analog/digital converter, the sensor uses over 6,000 on-chip, column-parallel A/D converters to convert analog signals to noise-resistant digital signals at the earliest possible stage. The result is reduced noise and high-speed transfer of data.
Image processing gets a boost in speed and power from the application of two BIONZ image processing engines. Large amounts of data captured by the 24.6-megapixel sensor can be quickly processed to achieve a fast shooting response. Additionally, this dual BIONZ processing system applies advanced noise reduction algorithms producing images of exceptional quality and detail, especially at high ISO sensitivities.
The camera’s newly-developed, body-integrated SteadyShot Inside unit achieves an anti-shake effect equivalent to shutter speeds faster by 2.5 to 4 stops. This new unit provides stabilization for Sony, Minolta and Konica-Minolta wide angle, large-aperture lenses, which is difficult for lens-integrated systems.
The ultra-bright viewfinder with 100% field of view coverage and 0.74x magnification enables accurate framing and preview. It features a high-power condenser lens, an eyepiece with high reflective-index glass, and a multi-layer, anti-reflective coating on every optical surface to deliver its extraordinarily bright and accurate view.
Additionally, the focusing screen is user-replaceable, with additional L-type (grid pattern) and M-type (super spherical acute matte) screens sold separately.
The camera’s newly-developed autofocus system consists of nine wide-area sensors with 10 assist points for improved tracking of moving subjects. A center dual cross sensor comprised of two horizontal and two vertical line sensors as well as a dedicated f/2.8 sensor are included to achieve greater precision, especially when using fast-aperture lenses.
It also offers high-speed continuous shooting of 24.6 megapixel images at five frames per second. A newly-designed mirror box features a unique parallel-link mirror mechanism that moves on two horizontal axes to accommodate both 100% viewfinder coverage and the body-integrated image stabilization system without increasing the camera’s size. The mirror box also has a new moving magnet actuator, a high-powered coreless motor for a faster shutter charge, and a magnet catcher to minimize mirror bounce and light refraction within the box.
The model’s innovative intelligent preview function takes the guesswork out of setting up a shot and the hassle of taking multiple shots to achieve a desired effect.
After pressing the depth of field preview button, the camera “grabs” a RAW preview image which is processed and displayed on the LCD screen. You can then fine tune white balance, determine the best level and effect of dynamic range optimization, adjust exposure compensation and check histogram data, all before you actually take the picture. Preview images are not recorded on the camera’s memory card, thus saving capacity.
Other key features aimed to expand creative options include the Dynamic Range Optimizer (DRO) with five levels of user-selectable correction as well as DRO bracketing for enhanced scene analysis and graduation optimization. EV bracketing with ±2EV range makes it easy to create high dynamic range composite images.
Thirteen creative styles can be selected to enhance images and then fine-tuned by customizing contrast, sharpness, zone matching and other parameters, while 3 user-programmable memories provide instant access to as many as 26 different mode settings.
Powerful RAW file processing control is put in the photographer’s hands with the included Image Data Converter SR3 software that delivers faster file processing speeds, easy adjustment of image parameters, Dynamic Range Optimization and a new Peripheral Illumination function that compensates for corner light fall off.
With the camera’s HDMI output and Photo TV HD mode, your creative output can be enjoyed on a compatible HD television. This mode brings the look of actual printed photography to the television, by fine-tuning such image parameters as sharpness, gradation and color.
Its construction features rugged, lightweight magnesium alloy with moisture-resistant, rubber seals for buttons and dials, an anti-static coating to prevent dust adherence to the imager, and a high-endurance shutter rated for more than 100,000 release cycles.
It has a 3-inch, Xtra Fine LCD screen (921K) makes it possible to check focus and image quality with accuracy. It incorporates an easy-to-see display with a quick navigation menu to easily access common functions without interrupting your creative flow. A backlit LCD panel sits on top of the camera and displays key settings.
The A900 camera will be accompanied with an array of accessories like the recently-announced Sony HVL-F58AM flash unit with its innovative Quick Shift Bounce system, powerful performance with a guide number of 58, and wireless auto flash ratio control.
The Sony VG-C90AM vertical grip offers the same ease of operation when shooting vertically as horizontally, with its button layout and low-position shutter-release button. It also houses two InfoLITHIUM batteries (sold separately) for longer shooting and playback.
The DSLR-A900 body will be available in November for about $3,000 along with related accessories. You can pre-order the camera from amazon.com:
Rick Eselgroth , September 14, 2008; 10:04 P.M.
Peter Blaise Monahon , September 15, 2008; 06:18 A.M.
Richard Harris , September 15, 2008; 09:01 A.M.
Jose Amado 
, September 19, 2008; 04:29 A.M.
Pan Lao , September 26, 2008; 09:23 A.M.
John Tran 
, November 10, 2008; 02:06 P.M.
Bob Moon , November 23, 2008; 05:59 P.M.
Richard Harris , December 06, 2008; 06:41 A.M.
Hans Neukomm , February 19, 2009; 02:35 A.M.
Richard McGee , February 24, 2009; 11:18 A.M.
Richard Harris , March 15, 2009; 03:57 P.M.
Mark Olwick , May 15, 2009; 09:40 A.M.
