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Tamron SP AF17-50mm F/2.8 XR Di-II LD ASPHERICAL [IF]

by Bob Atkins, 2006


Part I | Part 2 | Part 3

Macro (Close Up)

The maximum magnification of the Tamron SP AF17-50mm F/2.8 XR Di-II LD ASPHERICAL [IF] is :1:4.5 or 0.22x and is obtained at 50mm. Not bad for a wide to normal zoom, but not really exceptional. The Canon EF-S 18-55 is slightly better at 0.28x and the Canon EF-S 18-85 is slightly worse at 0.2x. Obviously the Tamron SP AF17-50mm F/2.8 isn't a "macro lens", but 0.22x is still useful for closeups.

Tamron SP AF17-50mm F/2.8

The above image was shot at the minimum focus distance at the 50mm focal length setting

Benefits of a fast lens

Though the tests above concentrate on technical image quality, there are several benefits of a fast lens over a slow lens which aren't related to lp/mm or MTF measurements!

The first is the ability to shoot at faster shutter speeds. While slow lenses with Image Stabilization can often be handheld at slower shutter speeds than would be possible with a faster lens, those slower shutter speeds may not be fast enough to freeze movement.

For example let's say we have a Canon EF-S 17-85/4-5.6 IS and a Tamron SP AF 17-50/2.8. The IS gives you a 3 stop advantage in terms of the ability to handhold the lens, but the f2.8 lens is one stop faster. This means that at 17mm and f4 you can probably handhold the IS lens at a shutter speed of about 1/4s and get sharp images. Under the same lighting conditions you'd be shooting at 1/8s with the f2.8 lens at f2.8 and that's too slow for sharp handhold images. You'd really need to be shooting at about 1/30s with a non-stabilized lens to be reasonably certain of getting a sharp shot. So in this case, for a static subject, the IS lens would likely yield a sharper image.

On the other hand, let's say you're shooting action at 50mm. While the IS lens might let you shoot at, say, 1/20s at f5.6, the non-stabilized lens would allow you to shoot at 1/80s at f2.8. For a moving subject, 1/20s might be too slow to freeze movement (resulting in a blurred image), while 1/80s might freeze the action enough to give you a sharp shot, so in this case the faster (f2.8) lens might yield the sharper image.

The second advantage of a faster lens is the ability to shoot with a smaller depth of field and to better blur any distant background (note these two effects, while similar, are not the same). Below is a series of images shot at f2.8, f4 and f5.6. As you can clearly see, the background is far less distracting in the f2.8 shot than in the f5.6 shot due to the greater degree of background blur. If you're shooting portraits (and a 50mm f2.8 lens on an APS-C DSLR makes a good portrait lens), the additional background blur can make a significant improvement in your images.

Tamron SP AF17-50mm F/2.8 At f2.8 the background is blurred and it's hard to tell what the red object is!
Tamron SP AF17-50mm F/2.8 At f4 you can see more background detail and things are coming into focus slightly,
Tamron SP AF17-50mm F/2.8 At f5.6 the background is becoming slightly distracting and you might guess that the red object is, in fact, a red wheelbarrow standing on end!

 

Conclusions

The Tamron SP AF17-50mm F/2.8 XR Di-II LD Aspherical [IF] is a good lens. It's pretty sharp at all focal lengths, even wide open, but contrast does go up a notch when stopped down from f2.8 to f4. Chromatic aberration and distortion are generally well controlled, though there is noticeable barrel distortion at the wide end of the zoom range. Chromatic aberration is worst at 17mm, though you can see from the test image above that even at 17mm in the corners of the frame it's pretty good. At longer focal lengths you'd need to look quite hard to see any problems. The Tamron SP AF17-50mm F/2.8 did exhibit some flaring with the front element in direct sunlight or the sun in the frame, but that's a pretty severe test. Under normal conditions, with the sun out of the frame and using the supplied lens hood, flare seemed well controlled.

At $450 it's quite reasonably priced, especially if you compare it with the Canon EF-S 17-55/2.8 IS USM ($1200). Of course it doesn't have Image Stabilization, but it is $750 cheaper! It's closer in price to the EF-S 17-85/4-5.6 IS USM ($550). Optically the Tamron SP AF17-50mm F/2.8 XR Di-II LD Aspherical [IF] is better than the Canon EF-S 17-85/4-5.6 IS, and though 1-2 stops faster,  it lacks IS and the zoom range is smaller. I haven't yet had a chance to look at the Canon EF-S 17-55/2.8 IS USM, but at $1200 it would have to be really good to justify the price.

As usual the decision about which lens to buy is a matter of compromise. You can have good, fast, optics, you can have IS, you can have a lens for about $500, but you can't have all of them in a single lens! If you're after  high optical quality, a fast lens which can blur backgrounds and stop action but you don't want to spend more than about $500, the Tamron SP AF17-50mm F/2.8 XR Di-II LD Aspherical [IF] is a lens you could be very happy with.

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© 2006 Bob Atkins (www.bobatkins.com)

Readers' Comments


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Lucian Cretu , June 15, 2006; 03:26 A.M.

It is said that this lens has some field curvature issues. Did you find any?

Henry Richardson , June 19, 2006; 10:00 P.M.

Bob Atkins wrote:

"You can have good, fast, optics, you can have IS, you can have a lens for about $500, but you can't have all of them in a single lens!"

Actually, if you use this lens with a KM 7D/5D, Sony Alpha 100, or Pentax K100D then you *can* have it all. :-)

Tony Lo , July 14, 2006; 08:18 P.M.

Though it is of different zoom ranges, how does the 17-50mm/2.8 compare to 28-75mm/2.8?


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