"From Light to Ink" featured the work of Canon Inspirers and contest winners, all printed using Canon's imagePROGRAF printers. The gallery show revolved around the discussion of printing photographs...
Getting photographs right in the camera is a combination of using your imagination, creativity, art, and technique. In Part 3 of this three part series, we focus on shooting strategy and the role of...
Aerial photography is an important commercial skill. Real estate is a
big portion of our economy and usually the best way to illustrate the
value of a building or piece of land is with a photograph taken from a
helicopter or airplane.
Aerial photography is an important artistic skill. A lot of the
world's most interesting patterns are only apparent from the air.
There is only one thing that aerial photography seldom works for:
conveying the experience of being up in the air. When you're sitting
up front in a light plane or helicopter, you look up at a panoramic
view of open sky. You look forward and sideways at a 180-degree
stretch of horizon. You look down and see interesting features on the
ground all around you. An aerial photograph that isolates a shopping
mall is a useful thing for shopping mall developers, but it doesn't
remind a pilot of flying over that shopping mall.
Airplane or Helicopter?
Airplanes are easy to borrow from friends or rent from local flight
schools, but you're almost always working around a strut or a wing.
The old photojournalists say "If your pictures aren't good enough,
you're not close enough"; the FAA says that airplanes can't fly lower
than 1000' above congested areas or 500' from any person, structure,
or vessel. Airplanes cannot be flown slowly. A typical four-seat
airplane is unsafe to operate below about 80 mph.
What are the best airplanes for photographic missions? Traditionally,
high-wing Cessnas are favored for their slow speeds and wide windows
that open. The Cessna 177RG
Cardinal is probably the best of this species, because it lacks a
wing strut and the landing gear retracts out of the way. [You can buy
a nice one for $80,000.]
With a helicopter, you can fly with your door removed. You now have
almost complete freedom to use your camera as you would in any other
situation. A helicopter can legally be flown at any altitude, as long
as there is an open area of some sort to which the helicopter could
autorotate in the event of engine failure and not create a hazard to
persons or property on the surface. In practice, this means that
helicopters may be flown very low indeed. The most efficient speed
for a helicopter is usually around 60 mph and, if necessary, the
machine may be slowed down to a mid-air hover or even flown backwards
over the ground.
Aren't Helicopters Unsafe?
Modern helicopters are extremely reliable and you are very unlikely to
crash due to a mechanical failure. The fatal accident rate in light
helicopters is about 1 in every 100,000 flight hours, with most
accidents being related to bad weather or a pilot attempting a
challenging maneuver, such as landing in his friend's backyard and not
noticing the trees or powerlines.
If you are flying solely for the purpose of taking pictures, it is
unlikely that you would depart into hazardous weather; the kinds of
weather that make flying dangerous are generally those that make
photography impossible. You're taking off and landing at an airport,
a huge open area. What are the main risks then? Helicopters are
subject to a phenomenon known as "settling with power." If a
helicopter is brought to a mid-air hover and then slowly descends, it
will eventually come into contact with its own disturbed air. Sinking
into sinking air results in an alarmingly rapid descent rate. We do
this all of the time in training students, and they always manage to
get out of it by pushing forward to increase the helicopter's speed,
but we start 3000' above the ground, not 300'. Ask your pilot to
circle the spot that you want to photograph, not to park the
helicopter in mid-air. If you must ask for a mid-air hover, make sure
that you are pointing into the wind. If the pilot is a fresh-faced
flight instructor, don't ask for anything too fancy. Contrary to what
you'd expect, it is typically the youngest and least experienced
pilots who are teaching the raw beginners.
Helicopter pilots sit on the right seat of the aircraft. You will
probably sit on the left side. Anything that comes out of your pocket
will tend to blow back into the tail rotor. The best that you can
hope for in this situation is an expensive dent in the tail rotor.
The worst is tail rotor failure, which an alert and proficient pilot
can handle by entering an autorotation, but really it is better to
remember to take everything out of your pockets and put them under the
seat. Do not get in or out of the helicopter while the blades are
spinning. People tend to walk back into the tail rotor, which spins
so fast that is hard to see. If you must get out, crouch a bit and
keep eye contact with the pilot. If you can see the pilot, you can't
be back with the tail rotor.
Where to get a helicopter
Most major cities have "helicopter charter" companies who will be
happy to take you up in their $1000/hour jet-powered helicopters. If
that doesn't suit your budget, look for a "helicopter flight school".
Typically these will operate piston-engine Robinson
R22 and R44
helicopters. The two-seat R22 is the most economical, at typical
prices of $225-275 per hour, including the pilot. The quarters are
extremely cramped in the R22; you'll be elbowing the pilot if you lean
back a little bit to keep a telephoto lens out of the slipstream. The
R22 also cannot be operated legally with more than about 400 lbs. of
pilot, passenger, and luggage. If you're not compact and slender, it
is probably best to fly in an R44, which is more stable and has the
added convenience of a back seat in which to place an assistant or
equipment that you're not using. The R44 typically rents for $325-475
per hour with pilot.
Best time of day
Contrary to theories put forward by some scientists, the Earth is
actually quite flat. Aerial photos taken under midday conditions when the sun is
high look very flat indeed. It is best to fly in the first or last
hour of the day, when the sun's angle will produce shadows that enable
viewers to understand the shapes of the hills and structures in a
Film or digital?
As the aircraft circles the subject, you will be capturing an exposure
every second or two. From every 10 to 50 images captured, you'll be
selecting one to present or display. This is a great time to use a
digital camera with the largest memory card you can afford. Fill up
the memory card and sort through the results on the ground.
Another advantage of digital is the preview capability. People aren't
usually at their sharpest in the unfamiliar environment of an
aircraft. If you're going to make a mistake in your photographic
life, this is the most likely time and place. The ability to verify
that your images are reasonably well exposed and focussed is very
If you're using a professional-style digital camera, set the file
format to "RAW" so that you can fine-tune the exposure on your home
computer. When up in the air, concentrate on getting the framing and
Vibration and Motion-blur
The sharpest pictures are taken with the camera on a tripod, using the
self-timer or a cable release to ensure that the touch of the
photographer's fingers don't jostle the camera. How, then, is it
possible to get a sharp photo from a rapidly moving aircraft that is
simultaneously being vibrated by the engine?
The factors that influence motion-blur are the following:
shutter speed; faster is better
ISO setting; higher enables faster shutter speeds in less than brilliant sunshine
wide/telephoto lens setting; if you zoom in to a telephoto
perspective, you're magnifying the subject but also magnifying motion
aircraft speed; slower is better
in-camera or in-lens image stabilization; turn it on to cancel the effects of vibration
gyro mounts; these are what the professionals use and are essential for video
The easiest and best way to freeze motion is by using a fast shutter
speed. Somewhere between 1/500th or 1/750th of a second freezes most
blur with lenses up to 100mm in length on a full-frame camera. On a
digital SLR, set the exposure mode to "S" for "shutter priority" or
"Tv" for "time-value priority". Use the main control dial to select
"500", "640", or "750" and the camera's internal meter will determine
a corresponding lens aperture for correct exposure given the lighting.
On nearly every compact digital camera, you can do the same thing but
it requires wading down into the menus. (An explanation of aperture,
shutter speed, and exposure may be found in the Exposure chapter of
If it is a sunny day, you're probably in great shape now, with an
aperture of f/5.6 and pictures coming out looking good in the preview
window. What if the camera's aperture display is flashing "f/2.8" and
the preview pictures are too dark? It is probably late in the
afternoon on a cloudy day and the lens won't open up wide enough to
admit sufficient light at the short shutter speed. You can increase
the camera's sensitivity to light by adjusting the ISO, which
typically defaults to 100, up to 400 or 800. Most point and shoot
cameras don't perform well at high ISO, one reason why people buy
digital SLRs. The bigger the sensor, the better the performance in
low light, which is what makes
Canon EOS 5D, (compare prices) (review) worth renting if you
have an aerial project to pursue in the mornings and late afternoons.
One advantage of using a helicopter is that you seldom need a lens
longer than 100mm to isolate a landmark. If you're flying high in an
airplane and taking pictures of ordinary-sized buildings, you'll need
to use telephoto lenses of 200mm and longer, which will require higher
shutter speeds to freeze camera shake.
If your camera or lens has an image stabilizer, by all means turn it
on. When that isn't sufficient, as it never will be for video, the
standard solution is to mount the camera on a handheld gyro
stabilizer. Kenyon Laboratories
builds, rents, and sells these items, which resist any kind of motion.
The lunch is not quite free, however, as the Kenyon gyro is heavy and
while it is fighting the helicopter's attitude deviations in
turbulence, your arms will be fighting with the gyro/camera
combination. Spend a few months in the gym before planning to use one
of these for longer than 15 minutes.
Don't brace yourself against the aircraft; you'll only pick up
vibration. Try to sit quietly and not touch your arms or the camera
against any part of the helicopter or airplane.
Use the focal length calculator in the Lens chapter of Making
Photographs before getting into the aircraft. Plan on being
1000' above the subject in an airplane or 300' in a helicopter. If
the project is to photograph a house on a quarter-acre lot (100'
square) with a small-sensor digital SLR, for example, the required
lens is 225mm from an airplane or 70mm from a helicopter.
In attempting to capture the experience of flying, true wide-angle
focal lengths between 16 and 28mm (full frame) are the most useful.
The wide lens will inevitably include parts of the aircraft in the
image, but that was part of your experience. When including the
interior of the aircraft, e.g., the pilot or a passenger, experiment
with using an on-camera flash to balance the comparatively dim light
inside the airplane with the bright scene outside.
When you've got all day to take the perfect photo, you get the best
quality with a bag of prime (non-zoom) lenses, moving the tripod a few
feet every 10 minutes to try out different perspectives. When the
jet-powered helicopter is sucking down fuel at the rate of $1000/hour,
it is better to sacrifice a little bit of quality for the convenience
of a zoom lens. As an added bonus, many of today's better quality
zoom lenses include built-in image stabilizers.
Good aerial photography starter outfits include the following:
Zooming from 40 to 105mm with the Canon EF 24-105mm f/4 L IS USM, (compare prices) (review)
enables us to see how the Stata Center, a Frank Gehry
design on the MIT campus, is hopelessly penned in by other buildings
and can therefore never be appreciated as sculpture in the way that the Gehry
art museums and concert halls can be. (The office
building for computer programmers can be appreciated
as a demonstration of the awesome wealth of America's universities; it cost $300 million when completed in 2004.)
It tends to be dark at night, a situation that calls for a
Canon EOS 5D and Canon EF 50mm f/1.4 USM. ISO bumped up to 800, aperture opened wide to f/1.4, and shutter speed of 1/100th of a second.
A McMansion going up in Weston, Massachusetts. 140mm zoom setting.
Click to enlarge and you'll see a bit of motion blur. A cloudy day
forced a shutter speed of 1/250th at f/5, even with the ISO bumped up
slightly to 200. The stabilizer on the
Canon EF 70-200mm f/2.8L IS USM, (compare prices) (review) enabled an acceptable photo
despite the higher magnification at 140mm.
Canon EOS 5D.
Don't forget to look down... Straight down
As the angle gets progressively steeper, the photo gets progressively less conventional...
Helicopters can be easily banked to 60 degrees and more. There is no
risk of stalling the wing. Ask your pilot to make a "steep turn" and
just lean over slightly to point the camera nearly straight down.
Don't forget to look around... it may be your last chance
One of the best reasons to take up aerial photography as a hobby is
that it is the only way to see those portions of the United States
that are fenced-off or at the end of private drives.
Henry David Thoreau saw our modern confinement coming in his June 1862 Atlantic magazine essay, Walking:
... most of my townsmen would fain walk sometimes, as I do, but
they cannot. No wealth can buy the requisite leisure, freedom, and
independence which are the capital in this profession. ... I know very
well that they have confined themselves to the highway ever since
... the walking of which I speak has nothing in it akin to taking
exercise, ... but is itself the enterprise and adventure of the
Moreover, you must walk like a camel, which is said to be the only
beast which ruminates when walking. When a traveler asked Wordsworth's
servant to show him her master's study, she answered, "Here is his
library, but his study is out of doors." ...
When we walk, we naturally go to the fields and woods: what would
become of us, if we walked only in a garden or a mall? ...
There are square miles in my vicinity which have no
inhabitant. From many a hill I can see civilization and the abodes of
man afar. The farmers and their works are scarcely more obvious than
woodchucks and their burrows. Man and his affairs, church and state
and school, trade and commerce, and manufactures and agriculture even
politics, the most alarming of them all--I am pleased to see how little space they occupy in the landscape...
At present, in this vicinity, the best part of the land is not private
property; the landscape is not owned, and the walker enjoys
comparative freedom. But possibly the day will come when it will be
partitioned off into so-called pleasure-grounds, in which a few will
take a narrow and exclusive pleasure only--when fences shall be
multiplied, and man-traps and other engines invented to confine men to
the public road, and walking over the surface of God's earth shall be
construed to mean trespassing on some gentleman's grounds. To enjoy a
thing exclusively is commonly to exclude yourself from the true
enjoyment of it. Let us improve our opportunities, then, before the
evil days come.
Are Thoreau's "evil days" here? For the ground-bound, certainly, but
it is possible to fly almost anywhere in the United States one wishes for
the simple pleasures of looking and photographing.
About the Author
The author is the founder and Editor in Chief of photo.net, as well as
holder of an Airline Transport Pilot certificate from the FAA. He is
a flight instructor for both airplanes and helicopters and has flown
two Robinson helicopters from the factory in Los Angeles to his home
base in the Boston area.