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Retouching a Studio Backdrop

by Patrick Lavoie, July 2010


Digital photography requires a solid workflow, allowing for professional preparing of digital photo files for the web and print. For the Digital Photography Workflow series, we consulted with a number of experienced professional photographers who are also stellar photo.net members and frequent contributors to the Photo.net Digital Darkroom forum, to walk us through their specific photography techniques and tips on post-processing images.

In this article, Patrick Lavoie offers advice on how to quickly “clean” a studio floor during the retouching phase. The article is enhanced with illustrative figures and screen shots, and includes example images from Patrick’s retouching portfolio. Whether you are just entering the world of digital photography and need some tips and advice on how best to post-process your images, or are a seasoned pro, the insights shared here should be helpful with your own digital post-processing techniques.

Level: Intermediate

Tools: Adobe Photoshop CS3 [Mac] or Adobe Photoshop CS3 [PC] or higher. Note: in Photoshop CS3, this works only on 8-bit images.

How to Clean a Studio Floor

Many of you shoot in a studio. It may have already happened to you, or could happen in the near future, that you have to stop a shoot if you want you or your assistant (you’re lucky to have one) to clean the floor, either by sweeping, or by repainting it quickly to make it new for every shoot. But what if there’s no time for this?

Here’s a quick solution for you when you are left with a bad floor for your retouching session. Of course, it’s much faster and way better if the floor is clean in the session. Since I’m not at each photoshoot with a whip, sometimes I have to clean things up digitally during retouching.

This trick works well for solid colored backdrops and on a cyclorama floor—on hard wood it will not work as well.

Follow along, and try your hand at this with one of your own “dirty studio floor” images.

Step 1

Duplicate the Background Layer. Name the duplicate layer Dust Removal and zoom to 100% while viewing the floor area.

Step 2

Go to Filter > Noise > Dust & Scratches.

Step 3

Set both boxes to zero to start with, and for the Radius use a number that cleans the floor, making it really blurry (I used 35). Click OK.

Step 4

Create a new empty layer. Set the mode to Soft Light and tick the box to Fill with Soft-Light-neutral color (50% gray). Name this layer Texture.

Step 5

Go to Filter > Texture > Texturizer and select the Sandstone option from the pull down menu. Try numbers until you find a pair that best gives you the texture you desire. Click OK.

Step 6

Now you should have 2 layers on top of your Background:

a. A Background copy called Dust Removal: Select this layer and click on Add Layer Mask at the bottom of the Layers palette. Select the layer mask, then fill it with black by using the Edit > Fill menu command.

b. A layer called Texture with no mask: Select this layer. Create a layer mask and fill it with black just as you did for the layer above. Press and hold the Alt/Option key and with your mouse, place the cursor between the two layers so that the cursor turns from an arrow to a cufflink. Click your mouse, and you will now have linked this layer to the one below.

Step 7

Go back to the Dust Removal layer. Select the mask and using a brush of the desired size, with white set as the foreground color, start painting away your floor. If you make a mistake, change the foreground color to black and paint over the mistake. Switch back to white to continue removing the problem area.

Step 8

When all of the floor is done, go back to the Texture layer and select its mask. Use the Gradient tool, and from the bottom to the middle of your image create a gradient that will expose the texture.

Since you have linked it to the Dust Removal layer, the texture will only appear through the other mask, so you will add texture back only to the places where you painted earlier. You can also adjust the opacity of the Texture layer until it appears exactly the way you want it to.

Conclusion

I visit the forums on photo.net because I like what I do, and I like helping others. My opinion is if you want to become better you have to share your secrets that way, you have to work harder to be better.. and I like competition. I hope this quick tip on how I clean studio floors digitally was helpful!

More

Example Photos


Original text and photos ©2010 Patrick Lavoie. Edited by Bernard Miller and Hannah Thiem.

Article created July 2010

Readers' Comments


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Nathan B , July 20, 2010; 06:06 P.M.

Thanks for the excellent and concise tutorial. I have never really used "dust and scratches" simply because it is such a blunt instrument.
The great value with this technique is to retain the subtle and smooth gradients in the shadows, which are the most difficult areas to match with the cloning or healing tools,which are the standard go-to's when cleaning up images.
Cool.

Paulo Delavigne , July 20, 2010; 11:40 P.M.

Very nice! in the step 6, a and b, if you press, and hold, alt/option key, while you click on add layer mask, it will be already filled with black ! so, there aren´t the need to a separate fill, using the Edit > Fill menu command. Thanks to share it with us!

Karim Ghantous , July 21, 2010; 06:19 A.M.

Thanks for the idea, Patrick. I don't use PS but I'll try to see if I can do this with other software.

I wonder, though, how there can be no time to clean floors but plenty of time for post-processing? ;-)

Patrick Lavoie , July 21, 2010; 08:08 A.M.

I agree that the dust and scratches filter is most of the time very bad.. or i should say very badly use ; ) Theres not much thing you can do wiht it but when you find some, you are very happy to know it.
I can use it to reduce or remove arm hairs on model arms.. clean up a dirty window / glass, reduce dust in the air of a old house where i dont want to have some..possibility are endless when use correctly.
The secret is to use the correct number; to start you have to put the radius to 1 and the threshold box to 0.. then adjusting the radius box first to remove most of the dust (keyword most, not all) then adjusting the threshold box un til you regain the detail without bringin back the dust. Normally the correct number are radius (x) X 7 = a good number for threshold. ex; if you put 3 in the radius box X 7 = 21 in the threshold box.

Patrick Lavoie , July 21, 2010; 08:11 A.M.

Believe me i know most if not all shortcut in PS, but i like to make my tutorial as easy as possible to follow.. and i think that by doing it step by step many user will find it less hard.. i hope ; ) The alt key is a magic key that can be use with many tool and menu to bring amazing new hability to the same function. I personnaly use it with the mask creation instead of going to edit fill.. and to be honest, i even have this mask creation on a F Key as a action.. even faster!

Patrick Lavoie , July 21, 2010; 08:15 A.M.

when you are on a shoot with 14 peoples and a lot of action and a lot of material on your way, believe me it is faster to do it after then to stop everything to repaint the floor. After or during each shot someone will normally broomed the floor, but that doestn really clean up the multiple shoe trace and hairs that could appear during the shoot... Whe normally repaint everything just before lunch, so whe can start fresh again after it. But it is most of the time do in post because it is faster and less problematic for the whole team.. cheaper to pay me to do it than making the whole team wait ($$$) for the floor to dry ; )

Debrah Ross , July 22, 2010; 11:52 A.M.

Glad of know of backdrop help for newbies (somewhat) like myself. Yours relates primarily to the floor, but do you have any ideas concerning actual backdrops? I have been doing some green-screening work, and my green muslin screen did have some fold marks in it. I figured out how to prevent it in the future, but is there any help for my previous shots?
Thanks a bundle

Folarin S , August 09, 2010; 01:09 A.M.

Merci Patrick, once again, you are very generous with your knowledge and expertise. This will be a big help, and of course applicable to other problems as well!

Patricia Anderson , July 01, 2011; 04:07 A.M.

Thanks for sharing this idea! I have learned a lot and surely will apply it.

Mikey S , November 27, 2011; 09:26 A.M.

An extremely timely read for me that has saved me trucks loads of time. Well written at straight to the point too.

Thanks very much.
Mikey S


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