They wade with the gators and snakes in the black water of Louisiana's swamps.
They thrive in the frigid temperatures of New Mexico's high desert and dive
headlong into the depths of the world's oceans. They haul their gear
shoulder-to-shoulder with their male counterparts and push themselves to their
physical limits for their passion. They do these things for one reason: the
chance to be face-to-face with North America's wildest animals. Meet four of
America's finest female wildlife photographers:
Imagine raising two daughters, teaching yourself photography, starting a
business, writing a book and becoming financially independent doing what you
love. It sounds like a dream for any aspiring, family-oriented nature
photographer, but Jan Allinder has done it and boy, has she done it well. She is
committed, determined and passionate about what she sets her mind to, and
fortunately for the wild inhabitants of North America, Jan has chosen photography
as an outlet for her many talents.
As a brand new photographer, I remember being extremely impressed with Jan's
dynamic action and behavior shots. When I discovered that "Jan" was a woman, I
was dumbfounded. I thought only men carried those huge lenses and photographed
wild grizzly bears and bald eagles. When I looked at her images I felt like I was
experiencing the same exhilaration she must have felt behind the lens. Jan's work
is one of the inspirations for this article and I was thrilled when she agreed to
participate. Learning about her for this project was as fun and inspiring as
browsing through her many beautiful photographs in search of just the right
ones.
Jan's photographs are a reflection of the joy and sense of awe that she feels
when observing her subjects. She spends a lot of time reading everything she can
about wildlife behavior, and talking with biologists, experts and other
photographers. I believe it's her devotion to understanding wildlife behavior
that has allowed her that magical perfect-timing that is evident in many of her
wonderful photographs.
Growing up in the south gave Jan the opportunity to explore the natural areas
of her woodland playground and get to know the creatures who dwelled there. She
would often take her camera on adventures of the natural areas around her
southern home and at an early age Jan felt a natural desire to record her
experiences on film. Although her schedule now pulls her in different directions,
and time is always in short supply, Jan returns as often as she can to that which
gives her energy and inspiration, photographing and learning about her wild
subjects.
Jan is ambitious in every sense of the word. After devoting herself to raising
a family, she decided to pursue nature photography full time eight years ago.
Although she attended several photography classes, Jan has essentially taught
herself the craft of photography. She was influenced by the work and industry
expertise of many talented individuals and photographers, but has also managed to
develop and nurture her very own style: a style that captures the essence of a
wild animal, in a beautiful and dignified way that stirs something deep inside
the soul. Jan is one of the best at capturing this type of photograph.
As she devoted herself to her family in the beginning, Jan now devotes herself
to her photographic endeavors and her subjects. She spends her time educating
those who share her passion about the importance of understanding and protecting
the wild co-habitants of this beautiful country.
As if Jan weren't busy enough, she also designs websites specifically for
nature photographers who wish to showcase their work. She just completed her new
e-book about the subject: A Photographer's Guide to Web Site Design, which can be
found at www.guidetowebsitedesign.net. Jan is also on the staff of the web's
popular nature photography website: Naturephotographers.net, as a columnist on
web site design for nature photographers.
To see more of Jan's beautiful work please visit her website at:
www.wildlifephoto.net .
As a child I remember watching the nature show The Underwater World of Jacques
Cousteau and being intrigued by the bizarre and unusual life found just beneath
the surface of what, to me, seemed like big, dangerous pools of salt water. I was
impressed that people could function with all that gear, manage to stay focused
on their purpose, and have their wits about them enough to stay safe! The
underwater world has always held a special fascination for me, most likely due to
my enormous fear of deep water. When I learned that another woman not only put
herself into situations that would be no less than terrifying to me, I found that
she took pictures to boot! I had to learn more about Deb Barker and her work.
Not only does Deb sport many pounds of scuba and photo gear, and dive deep
into unfamiliar waters, she manipulates an entire camera system while doing it. I
don't know about you but I, for one, am immensely impressed with Deb Barker and
the images she brings out of the depths of our glorious oceans.
Deb has always had an interest in wildlife and earned a degree in Zoology from
the University of Florida in 1972. Deb's incessant desire to study wildlife keeps
her out in the field about 10 hours per week photographing terrestrial subjects,
with frequent day trips to the Gulf of Mexico for her beloved underwater
subjects. Today Deb's interest in photography remains secondary to her desire to
study and learn about the wildlife around her.
Since her introduction to underwater photography 20 years ago by dive buddy
Linda Roubos, Deb has visited some spectacular places around the world including
the Bahamas, Cayman Islands, the Turks & Caicos, Los Roques, Belize and
Cozumel. One of Deb's most memorable experiences was a trip to the Galapagos
Islands where she had the opportunity to photograph and swim with schooling
hammerhead sharks, sea lions, turtles, a variety of rays and other creatures that
can be found only in that unique habitat. Pleasantly surprised at the abundance
of wildlife in and around the Galapagos, and their famed lack of fear, Deb took
advantage of the ability to approach these animals closely and photographed
flightless cormorants, marine iguanas, herons, eagles, seabirds, penguins and
more.
As her wonderful green sea turtle with remora image above exhibits, Deb's
images are razor sharp, perfectly exposed and beautifully composed. This is a
feat for any wildlife photographer but for an underwater photographer, I imagine
it takes a special ingredient that I can only admire from above the surface. Deb
generously credits much of her inspiration to well-known underwater photographer
Cathy Church and her wonderful imagery of underwater life and landscapes.
In 1999 Deb found herself with time to explore other areas of photography and
turned her attention toward terrestrial wildlife. With the help and guidance of
friend Debbie Ferrell-Smith, another wonderfully talented wildlife photographer,
Deb now produces stunning images of Florida's wildlife including the big
beautiful waders shown below. Deb gets out as much as she can to photograph
wildlife and produces images of birds that many, myself included, would love to
have in their portfolio.
Deb's beautiful photographs have been on display at the Packinghouse Gallery
and Nature Photography Resource Center in Largo, Florida. She is also on the
staff of PhotoMigrations, an online nature photography community. Deb is
exceedingly generous with her assistance and is always happy to answer questions
about underwater photography. Stop by
PhotoMigrations if you get a chance!
Marie Read is one of our most accomplished professional bird photographers.
Marie's 16-year career in nature photography is sprinkled with achievements and
experiences that would make many nature photographers want to toss their gear
into a lake and give it up. In addition to being published in magazines such as
BBC Wildlife, Living Bird, National Geographic, National Wildlife, and Ranger
Rick, Marie is also a respected author on bird behavior, nature and photography.
You can find her articles in Birder's World, Outdoor Photographer, Women in the
Outdoors, and Wildlife Conservation to name a few. In 1998 Houghton Mifflin
published Common Birds and Their Songs, a book she co-authored and photographed
with Lang Elliott, and today she has more books on bird behavior in the
works.
A self-taught artist, Marie discovered photography more than 20 years ago as a
lab technician in Ithaca, New York. She explored black and white fine art
photography until an opportunity to study the social behavior of bee eaters swept
Marie and husband Peter Wrege to the wilderness of east Africa in the early
1980s. Surrounded by birds and wildlife in Lake Nakuru National Park in Kenya,
East Africa, Marie turned her attention and lens toward the beautiful nature and
wildlife found there.
While she thrives on the challenge of observing and photographing wildlife,
what really excites Marie is capturing rarely seen or recorded animal behaviors.
Her wonderful Chickadee and icicle photograph received a Nature's Best Highly
Honored award in 2002, and Marie has the distinct honor of being one of a few
people in the world to photograph the Long-tailed Manakin in courtship display in
Costa Rica. These tiny, colorful birds are known for their elaborate and
acrobatic courtship displays, and Marie's rare photographs of this natural
spectacle have been widely published.
Marie's ability to photograph common birds in ways that show off and enhance
their natural beauty has come to be the hallmark of her style. Her images are not
simply records of birds in their habitat, but what the artist within her sees.
They are moments in time that blend Marie's passion for her subjects, her
photographic mastery, and the natural beauty of the bird or animal. This level of
communication is something I strive to achieve in my own work, and I have a
tremendous amount of admiration for Marie's ability to consistently create such
meaningful images.
I asked Marie if she had any tips for aspiring photographers who dream of her
achieving her level of success in bird photography. Eagerly awaiting her response
for my own benefit as well as for this article, I learned that her best advice is
summed up in one word: persistence. Marie suggests that when you have your
subject in your viewfinder, don't take your eye away unless you absolutely must
because once you do, the bird will inevitably do something cool and unusual.
Marie also recommends patience and long-term determination. Revisit the same
scene and animal until you can predict its rituals and behaviors. Persistence and
dogged determination are well-known requirements for any wildlife photographer,
but Marie takes things a step further than the average hobbyist. The magnificent
Eastern Bluebird photograph above is the result of three weeks spent in a
freezing blind in the snow.
One of Marie's main goals is to use her photography to help raise awareness
about the significance of all birds from the rarest to the most common. She
strives to photograph birds in ways that will make people stop, take a second
look and feel compelled to help in their protection and conservation. Marie is a
nature photographer's nature photographer.
It is with a twinge of sadness that I end this section of the article, as I
could learn and write about Marie all the day long. She is far and away one of my
favorite female bird photographers and I feel honored that she agreed to the
article. I only hope that I am someday able to achieve with my photography, all
the wonderful things Marie has done with hers.
To see more of Marie's beautiful work, please visit her webpage at:
http://www.agpix.com/mari or email her at:
mpr5@cornell.edu
Her work can be found in newspapers, books and calendars. She's got three
magazine covers under her belt and in 2001 she snagged Best of Show in the
fiercely competitive Heard Natural Science and Wildlife Sanctuary photo contest.
She took first place in the Louisiana Outdoor Writer's Association youth
photojournalism contest, she writes poetry, and is following her desire to teach
by conducting photographic presentations at local schools. She has been featured
on television, her work has hung in galleries and personal collections throughout
Louisiana, and she is having articles written about her. She is 18 years old and
her name is Erin Martin.
Erin hails from the bayous of Louisiana, in a landscape as beautiful and
serene as her photographs. When I saw Erin's work for the first time on the
internet, I knew I had to meet the young photographer who creates such
thoughtfully composed images. I happily accepted an invitation to visit, jumped
on a plane and headed for the swamps of southern Louisiana.
At lunch in a little town east of New Orleans she sat giggling with her
boyfriend as we waited for our fried catfish and gumbo. She bickered playfully
with proud papa Charlie Martin, and took every opportunity to poke fun at friend
and mentor Mark LaGrange. She laughed a lot and seemed a normal, happy, healthy
teenager.
In the field this young lady is another story. When she sees a photographic
opportunity, she is transformed from a bubbly, fun-loving teen into one of those
surgeons you see on the Discovery channel. She handles her gear like an old pro,
but shoots with the heart of a child, always searching for something interesting
and unique. One of Erin's greatest strengths is her ability to quickly isolate
intimate yet striking compositions from complex scenes.
Erin's serious approach to photography is nicely balanced by her playful
nature and sense of adventure. As we cruised the swamps in an airboat, she yelled
"look daddy, a peck-o-saurus!" (that's Cajun for Pileated Woodpecker). Just as I
was thinking how sweet and innocent she seemed, my jaw dropped as I watched her
thrust her entire body over the side of the boat! She reached deep into the snake
and gator infested water in an attempt to grab a bullfrog with her bare
hands!
Just when I thought I couldn't be any more impressed with her, I sat down to
interview Erin. I learned that her passion for photography is surpassed only by
her love of this dark and tranquil place that she calls home. It is the circle of
life in this unique habitat that gives Erin her strength and drives her
photography. She is deeply concerned about the delicate balance of life in her
beloved bayous and uses her photography to educate others as to the importance of
their conservation.
Erin has her eye on a fine arts degree and already knows that she wants a
career in photography. She's setting her sights high and if she goes after a
career with the same enthusiasm she gives her photography, you'll be seeing a lot
more of Erin Martin in the very near future.
I asked Erin what bit of advice she would give to an aspiring photographer and
she said to "shoot from the heart." I won't attempt to summarize her work any
better than that. She pours her heart into every shot and after watching Erin
shoot, I know that when I look at one of her images, I am looking at a reflection
of the artist herself.
To learn more about Erin please visit
www.cajunimages.com or email her at
ememphot@bellsouth.net
There are many wildlife photographers who deserve acknowledgement for their
commitment to the protection of our wild brothers and sisters who don't have a
voice. I am grateful that Jan, Deb, Erin and Marie are out there working hard to
tell their stories and with this article would like to say, from the bottom of my
heart, thank you.
Text ©Gloria Hopkins Nature's Glory
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