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Just getting to the 100th
anniversary of the Boston Marathon was a challenge. People walked for miles from
their cars or stood mournfully on the green line platforms waiting for a subway
car with space. Even if you do have a press pass, it helps to be tall if
you want to see anything.
You can't get anywhere near the
finish line unless you show up hours in advance, are press, have volunteered to
work for the Marathon, or have some connection with John Hancock, the
Boston-based insurer that sponsors the event.
The wheelchairs start at 11:45 am and finish first.
Having started at noon, at 2:09:15, Moses Tanui (Kenya) crosses the finish line...
Followed by some fellow Africans looking none-too-cheerful ...
(Cosmas Ndeti (Kenya) at left; Abebe Mekonnen (Ethiopia) at right)
And then Stephen Moneghetti (Australia), followed by Luiz Dos Santos (Brazil, finished 11th at 2:11:48)...
Followed by Uta Pippig (Germany, 2:27:12), looking pretty happy to be winning her 3rd Boston Marathon and Tegla Loroupe (Kenya, 2:28:37), a painful few hundred yards behind...
And then a whole bunch more random men...
On a good day, 10% of the runners will need to stop in the medical tent before being herded farther down Boylston Street to the Boston Common.
You can be fat and lazy but if you have a "press photo bridge" pass, you can get images that will sell to magazines all over the world. Just drag yourself up above the finish line, park your tripod, ballhead, and 300/2.8 (or bigger) and fire away. Canon EOS predictive AF tracking works great when the runners are coming straight toward you.
First, remember to take plenty
of film. One hundred rolls might be nice for starters (note that the bags at
right contain Ektapress, a color negative film very forgiving of exposure errors
so you can even use autoexposure).
Then get yourself a big honkin'
white lens. These guys have Canon 600/4's which cost $8500 and come in their own
suitcases. You don't absolutely have to have Canon to be a sports photographer. I
saw an AP photographer there who was a real man. An Asian of slight stature, he
was handholding a Nikon 300/2.8 while another Nikon body and 80-200/2.8 was
hanging from his shoulder. Usually just carrying the 80-200/2.8 is enough to make
me want to lie down.
The TV guys take even fewer chances. They were using Canon video zoom lenses: 6-500mm. That is not a typo. 6-500.
And this would be the result....
Before and after crossing the line...
Again, this time horizontally ...
40,000 runners is a lot...
I exposed 10 rolls of Fuji Super G Plus 400-speed color negative film. The contrast was a bit too high for such a sunny day, but otherwise it is great stuff. I used a Canon EOS-5 body with three lenses: 70-200/2.8L (1.4X teleconverter on a few of the pictures from the photo bridge), 28-70/2.8L, and 20-35/2.8L. I used a 540EZ fill flash where I could, but that wasn't very much due to the EOS-5's lack of high speed flash sync.
