Peter Heritage
, Nov 01, 2003; 12:54 p.m.
This is really a follow-on to Abbie Benson's post concerning the
best lens for "street" photography. I happened to post a long-ish
telephoto shot and it became clear that some shooters regard the use
of telephots in this context as "cheating".
So:
(1) What are the advantages/disadvantages to using your favourite
focal length(s) when "street" shooting?
(2) Is "street" shooting just a subset of candid photography, or is
it distinct in some way?
I am hopefully attaching (if it works this time!) a "non-street"
candid taken last Summer. It was taken without the subject (who is
completely unknown to me) noticing, just before dusk, in the open
air.
Undisplayable photo attachment:
Nikkor 70-300 ED @ 300mm; F80; Fuji Superia 200 --
candid.jpg)
Jeff Spirer 

, Nov 01, 2003; 02:30 p.m.
Most, but not all, street photography is candid. Obviously, there is plenty of candid photography that has nothing to do with street photography.

Woman at Street Fair, Copyright 2003 Jeff Spirer
Eric ~ , Nov 01, 2003; 02:44 p.m.
In my books, that's definately a street shot. It's an unposed shot of life that you've come across on the street.
Dancing Dan and his Toy Van
Leslie Cheung 
, Nov 01, 2003; 03:13 p.m.
according to eric's book, i can do street photography from my
apartment or car if i had a long lens. as far as *cheating* some will
just not respect you shooting street with a tele
besides why would you spend the money on a long tele lens when a cheap
35 or 50mm can do? plus you get better dof and a couple of f stops.
now go buy the 50mm 1.8 or 35mm f2 get some nerve and hit the street!
Ilkka Nissila 
, Nov 01, 2003; 04:30 p.m.
Using a long lens for street photography is perfectly reasonable. It results in a different look, and to my eye it's certainly more natural than people shot so that their proportions look distorted due to a wide angle.
Jeff Spirer 

, Nov 01, 2003; 04:56 p.m.
and to my eye it's certainly more natural than people shot so that their proportions look distorted due to a wide angle.
This is an issue with close head shots, not street photography. I don't know anyone doing street photography whose goal is to create "undistorted" people. Most work with short lenses because the best way to do street photography is to be part of the "street," not a distant spectator.

Smoker, 35mm lens (hip shot), Copyright 2003 Jeff Spirer
Lex (perpendicularity consultant) Jenkins 

, Nov 01, 2003; 05:03 p.m.
I didn't realize this game had so many stinking rules. Mind if I cash in my chips now?
Lex (perpendicularity consultant) Jenkins 

, Nov 01, 2003; 05:07 p.m.
Here's one of my gold chips.
I cheated: It's an 80mm lens...on a Rollei TLR.
Leslie Cheung 
, Nov 01, 2003; 05:19 p.m.
1. 35mm/28mm/50mm.
advantages:
small (discreetness)
cheap (plenty of them)
fast (lowlight handholdability)
dof (hyperfocusing if you like)
larger angle of view (environmental/context)
normal undistorted perspective (tele compresses / ultra wide can
distort too much at time imo especially portrait at close distance)
disadvantage:
you got to be pretty close to the subject(s) if you consider it a
disadvantage.
2. don't worry about subsetting if it's a candid or street photograph
or any hard definition, it's no math;<) perhaps borrow a 35mm or a
28mm and it will be a different expereince than shooting from afar.
Albert Smith , Nov 01, 2003; 06:56 p.m.
Peter,
I hope you did not take offense to my use of the word "cheating" in Abbies first post (I assume you are quoting me). I did not mean anything personal, it is as I said just my opinion.
My meaning was that it takes some nerve and maybe even some bravery to get within a few feet of a total stranger and to be bold enough to shoot a photo of that person with a wide-angle lens. With a telephoto, a person could stand back in the shadows and click all day without ever interacting or "experiencing" the subject in anyway. Like I said, one type of shooting is intimate, the other voyeuristic. Both are candid, but both are different. That said, I too cheat and use a telephoto sometimes (never anything longer than a 105mm), but when the film comes back, I have more invested in the tighter wide-angle shots, and they mean more.
If I may
the one thing that is missing from your posted photo here is context. I see the person, I see the clothes, but I dont know where that person is or what the environment is. I wider lens gets the person, and the surroundings. Again, this is just my opinion, but I prefer the later
the person and something about that person. Tell the story of the person with context. If you want an advantage, this is a big one in my opinion.
Everyone is different. Do what works for you and enjoy.
less than 5 feet away and totally unseen. 35mm Nikkor set for a zone of focus.