I've been thinking about getting into both UV and infrared photography. But, its
been an expensive year so far and I'm looking to save a little. But, I still
want a good kit that will last.
I will currently be doing my photography with a film camera (an FM2N or maybe an
F80), but, it is certainly my plan to get a second DSLR body and remove the IR
Blacking filter and replace it with a clear one. I want to eventually be able to
do wide field astrophotography on an equatorial mount (with or without a Baader
Hydrogen-Alpha filter), UV photography with some enlarging lenses on a bellows
and some e-series lenses with their coatings rubbed off, and both false colour
and B&W infrared photography.
I have a variety of questions though:
1. I have been debating both the merits and drawbacks of Gel/Polyester Wratten
filters and glass equivalents. I haven't used gel filters and some people online
commentators have argued that they are easily damaged and a nuisance to work with.
Are they easily creased? Do they smudge and are hard to clean? Is their
longevity a significant issue?
2. If I go the gel/polyester route, I need a holder. Do any swing out? I want to
be able to mount an opaque filter, but then swing it out so I can compose and
then close holder with the filter? Does the AF-3 or AF-4 swing like that? How
about the Canon/or other equivalents?
I have searched through several online catalogues and none mention this feature.
Bjorn says the Micro-Nikor UV 105mm came with such a swing device and that it
can ordered as a spare part (how? does one just call Nikon? I certainly can't
find it anywhere online) but, it would include their FF filter (which isn't
exactly the one I want for either UV or IR) and must be costly.
3. Speaking of the AF-3 and 4. Nikon specs and various online catalogues say
that the AF-3 which takes 3"x3" (75mm) gels can be mounted on lenses with 52mm
to 77mm thread with various adapters. How badly does such a set-up vignette on a
77mm lens (say a 12-24 wide angle zoom)?
3" gels are considerably cheaper than 4" and I would certainly consider it if
there was minimal vignetting.
Does it vignette at all when mounted on a 72mm lens thread?
4. If I end up going with glass equivalents I have a few more questions:
A. Why does the Hoya RM 72 jump from well under $75 for a 67mm filter to $263
for 72mm (and even more for 77mm)? I really would have liked to standardize at
77mm and try out my wide angle zoom for IR. Once you get to 77mm the B+W become
cheaper ($177).
B. But, the B+W 092 lets in a tiny bit more visible light than the Hoya RM72.
Does this make it hard to correct the red cast for false colour IR from a DSLR.
Everyone seems to use the RM72 -- is this because at smaller thread sizes it is
by far cheaper than the B+W? Or because it is better for working with the
resulting images?
5. For film choices, is the Konica 750 IR film no longer available? It is what I
used the one and only time I did this stuff (with equipment on loan from a
friend -- alas . . .)
Alright, I think that's it. ;-)
Thank you all very much for any help you might give.
P.S. If the moderator thinks this would get more help in the everything else
forum, feel free to move this. I asked here since I hoped someone might have
used the AF-3 or 4. Or used IR filters with a 12-24 zoom on a Nikon.