There are few industries as heart-wrenching as the fine art business. It's a six-car pileup at the intersection of art and commerce and the amount of opinion and hyperbole that is somehow labeled as...
Photo packs have come a long way in the past decade, especially those that are targeted toward outdoor and adventure photographers. Alaska-based adventure photographer Dan Bailey takes a closer look...
Buy paints from Mehron, Inc., 45 E. Route 303, Valley Cottage, NY 10989,
(914) 268-4106. They have a semi-reasonable brochure and provide some technical
support. They can also direct you to dealers.
Mehron's "liquid makeup" is water-based and comes off easily, although red
stains skin a bit. Plan on using three 4oz. bottles to completely cover a 5'7"
tall, 120 lb woman. This stuff tends to be streaky and cracks a bit when it
dries. It is also not good if your model sweats. However, if you want a
"non-slick" look, it can be pretty effective. Best of all, you can shower it
The most convenient grease-based makeup from Mehron comes in 0.75oz sticks in
dozens of colors (mostly slightly varied flesh tones unfortunately, but also
plenty of colors). To use this you first apply it, smooth with a damp sponge,
then put on translucent powder with a powder puff, then brush the excess powder
off with a powder brush. Mehron sells sponges, powder, and powder puffs. Also,
many women use grease-based makeup on their faces and understand this procedure.
Although the powder is supposed to "set" the makeup, I've found that the stuff
still tends to rub off. So be careful if the model touches bare skin with painted
skin -- you'll get a smudge.
You can take off grease-based makeup with baby oil rubbed into the skin then
paper-toweled off (plan on using 1/2 bottle of cheap baby oil plus a whole roll
of towels to do an entire body). This is the cheapest method. Also, Mehron sells
makeup remover lotion that works a little more easily (use this if you just want
to wipe off a smudge or work on the model's face). Finally, you can use some cold
cream-type cleanser then regular soap and water. Once again, red stains just a
bit. The stain should fade in time, however.
Allegedly, a person will die if his skin is completedly unable to breathe.
However, a spot the size of a quarter left unpainted in the small of his back is
allegedly enough to prevent this undesirable event in the photo studio. Caveat
If there is a lot of unpainted Caucasian flesh in the picture, stay away from
Fujichrome Velvia. I've had good results with EPX (Ektachrome 64X "warmer"). As
far as negative film goes, Reala is pretty nice, although Gold 100 and Ektar 25
are probably better (punchier). I've had bad luck scanning Reala onto
Republican Platform. Rather badly scanned from a Fuji Reala negative.
This was a test for a poster that would have sold big if Bill Clinton hadn't won
Date Rape. This would have have been a great TIME cover if the
public's appetite for date rape stories hadn't faded.
Steven Bradford has a lot more patience than I do when it comes to this. You
should check out his
Q. Can anyone suggest a makeup to use to give the skin a metallic gold or
silver look? Any lighting tips would be appreciated as well.
Well, I haven't specifically covered a lot of the skin with metalic paint, but
I've been experimenting with body paint a bit. It doesn't seem to be something
many people do, as I received little help or suggestions.
The first thing I discovered was: Use grease paint, not water based, if you
want a smooth surface, the water based makup dries quickly, which is nice, but
cracks up, and doesn't appear even. The grease paint, oth goes on smoothly, needs
much smaller quantities, etc...
The grease paint (at least where I live) is readily available in large jars of
white, and in pencils, crayons, and small pats in almost every colour you could
want. There's a number of blues, a brilliant yellow, several shades of red, and
of browns. There is alos a silver, gold, and bronze. The Bronze looks quite
metalic, although I've just used it on lips. I think you need to put a fairly
substantial layer on with some good contrast (black?) to have it stand out.
The ony thing you want to watch for, though, is that metalics and yellow and
red (I think thats it) are often toxic. At least, you shouldn't get them near
someones eyes or inside there nose.
As chance would have it I just got back My first Photo CD with body painting.
I have three main projects, two of of them very succesful. In the latest we
painted up a guy like stone for a gargoyle effect. In the other one we did
"robot" imagery on a woman. I have to figure out how to do GIF uploads and file
transfers so I can send some of these along. I've also discovered a new paint
that works much better than makeup, is cheap and completely safe. It is airbrush
fabric paint. It dries to the touch, is not messy, and scrubs off with soap and
water. It goes on very fast with either brush or airbrush. It can be worn for
hours very comfortably.
Read your post some time ago concerning metallic gold body painting and
photography. How did it turn out? Any recommendations for others?
They turned out very well, thanks. I don't know which post you might have
read, but the safety information I got was basically "if it's a makeup, then it
should be passed by the FDA and have a contents list." Since what I used was, in
fact, makeup, it was considered safe.
I used Zauder's brand bodypaint. It is a water based liquid, not an oil based
cream. It cleans up much, much easier than the creams. It didn't have quite as
smooth a quality as I was looking for, but it was interesting nonetheless.
I got it from Pearl Paint, an art supply store based in New York.
If you have a material you are considering using as a paint, and aren't sure
as to the safety, I suggest calling the Arts Crafts and Theater Safety (ACTS)
people at (212) 777-0062. They are dedicated to the use of safe materials in the
arts, and they are lead by Monona Rosso, who is possibly the world's leading
authority on such matters. (She often answers the phone herself, so you might get
advice direct from the source.)
As for other technical considerations when photographing a painted subject: I
used strobes (tungsten lights just get too hot for modeling work). I would avoid
the use of colored gels on the lights. I tried using a red gel for a paritcular
effect, and it washed out the gold of the paint. Also consider the fact that the
paint will rub off onto just about everything, so put down drop cloths if
neccesary, and keep an eye on what your model touches. the last thing I can think
of is to make sure your model shaves a few days beforehand.
The paint doesn't work too well in hair, and freshly (even one day old) shaved
skin is still sensitive, and caused my model to itch furiously (not fun).