Jana Vanourkova 
, November 16, 2005; 11:00 A.M.
Paul, Welcome on the Photonet. You started with 2 amazing images, I hope to see more of your work soon. We have a lot in common, the love for Africa and the mystery of the deserted places.
cheers Jana (also a world citizen, writing from Florida, living in NL and born in Czech Republic, and having the roaming soul above the African plains and mountains and deserts)
Magdalena Soszka 
, July 24, 2006; 01:51 P.M.
welcome
Welcome to PN, I?m also new, but with not much to show off just yet. Your pictures are breath taking. Hope there will be more to come.
Happy Shooting!
andrea gerosa , July 25, 2006; 04:42 A.M.
A small (at the moment) but sgnificative portfolio, Paul!
Best regards
erwin bosman 
, July 25, 2006; 08:53 A.M.
Paul,
fantastic shots !
So you are Belgian too! From which region?
erwin
kalid magaña , July 25, 2006; 11:31 A.M.
welcome
i cant believe you have only four pics!! i cant wait to see more.
Zara Jarvinen , July 25, 2006; 03:22 P.M.
Fallen!
Are these really the only comments the portfolio has received? He's the next Mel Allen or Ansel Adams, no doubt! Good work! Wish I would be like you some day... *blush* ^__^
Phil Sutcliffe , January 14, 2007; 01:31 P.M.
When are we NOT manipulating.
I'm new but already finding the subject of manipulation controversial. I think a great deal of the effect in 'Wind Cathedral' could have been achieved with use of an anamorphic attachment lens at the time of capture, would it then have attracted or deserved any more or less adverse comment than the use of fish eye lens or foggy filter.
