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Venice: San Marco

by Philip Greenspun

Venice Gondolas in Venice, just in front of St. Mark's

St. Mark's corpse had almost as tough a time as Hector's (dragged three times around the city of Troy by Achilles). First the Christians of Alexandria had to fight off pagans who wanted to cremate the body. Then the Venetians had to steal it from Alexandria in 828 because Muslims were going to desecrate the church where it was installed. To get the remains out of Egypt, the Venetians allegedly hid them between slices of pork, calculated to deter inspection by Islamic customs officials. The body was thought lost in a fire in the first Basilica San Marco in the year 976, but "reappeared when the new church was consecrated in 1094." Now it sits in a white marble tomb front and center of the magnificent Basilica that sits front and center in the magnificent Piazza San Marco that sits front and center in the life of the tourist.

San Marco the sestiere has been the focus of Venetian life and government for centuries.

Piazza San Marco

The Piazza itself assumed its present form in the Renaissance. It is the only space in Venice that is called "piazza". Everything else is simply a "campo" (field) or "piazzetta". It is also one of the lowest points in the city and frequently flooded.

The buildings lining the Piazza were originally constructed as offices for government employees. Today, the Piazza offers two famous cafes, Florian and Quadri, with outdoor seating. At the northeast corner is the clock tower, completed in 1506, with a Latin inscription that translates to "I number only peaceful hours."

For overview photos of the Piazza, go to the upstairs gallery and museum of the cathedral, or take the elevator to the top of the Campanile.

Basilica San Marco

The Byzantine cathedral (1094) is famous for its mosaics, inside and out, the four gilded bronze horses on the front, and the Pala d'Oro altarpiece. Photography is forbidden, but enforcement is lax. The mosaics are illuminated every day between 11:30 a.m. and 12:30 p.m.

High water entering St. Mark's Cathedral Gold mosaics inside St. Mark's Cathedral Among the four horses that adorn the front of St. Mark's Cathedral A mosaic on the exterior of St. Mark's Cathedral Gold mosaics inside St. Mark's Cathedral A mosaic on the exterior of St. Mark's Cathedral Interior of St. Mark's Cathedral Interior of St. Mark's Cathedral The original four horses adorning St. Mark's Cathedral (replicas are installed outside today)
The upstairs gallery is a great place to take pictures of Piazza San Marco and the Piazzetta.

Once you've paid your fee to get behind the Pala D'Oro, there is nobody to stop you from taking pictures of gawking tourists.

Campanile

At 325 ft. high, the tallest structure in the city. The original collapsed in 1902; the modern structure was completed in 1912. This is the place to go for aerial views of the city. In peak season, arrive at 0900 sharp to avoid waiting in line for the elevator.


Piazzeta

The Piazzetta connects the Piazza to the water, running in front of the Palazzo Ducale. The statues and columns were taken from Tyre (in present-day Lebanon) in 1170. The space between the columns was used for public executions.

Doge's Palace

The Palazzo Ducale, or "Doge's Palace", contains a lot of big rooms, very nicely decorated by Tintoretto, Veronese, and other famous Venetian artists. The "Bridge of Sighs" leads from here into the adjacent prison, from which Casanova escaped.

Photography is forbidden within the Palace, but enforcement as of 2007 was rather lax.

The palace contains the world's largest oil painting, Paradiso by Tintoretto. My favorite painting, however, is a ceiling work depicting a dog, who illustrates the virtue of "Loyalty."

Pay an extra 8 euro for the audio guide or risk severe confusion inside the Doge's Palace.


Riva degli Schiavoni

The Riva degli Schiavoni is the waterfront street that connects San Marco to Castello. This is a great place to take pictures of tourists taking pictures of the Bridge of Sighs.


The Rest

San Marco is where you'll find most of the luxury shops and hotels as well as most services geared to tourists. It can sometimes be difficult to find humbler shops selling things necessary for residents, which is another reason why Venetians like to grumble that tourists have ruined everything and that they city is declining before their eyes.


Article revised December 2007.

Readers' Comments


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Bill O'Neil , June 10, 2001; 02:31 P.M.

We were a short walk from Piazza San Marco, which is anchored by the beautiful St. Mark’s Basilica and Doge’s Palace. We took a $15 guided tour through the secret itineraries of the palace. It was a combination of White House, Senate, torture chamber, and prison. We learned about the politics of this ancient city and toured the meeting rooms, prison cells (1st and 2nd class) and the torture chamber for those stubborn traitors who wouldn’t confess. Creepy! Casanova was a crafty prisoner who escaped only to return to Venice years later with a bit of fame.

The ceiling art and statues in Doge’s Palace were astounding. Most of it had been restored. The paintings depicted horrible violence and tumult in a somewhat beautiful way. And every painting always included a few naked people. The marble carvings embedded in the ceilings were no exception. I guess it’s not really art without some portly nudes.

One of the rooms displayed the weaponry of the time. From the steel armament and body casings to the swords and assorted weapons, I couldn’t help thinking how much war and violence played a part in Venetian history. Before gunpowder, these territorial wars must have been far more personal. To ram one of these gruesome swords through another human to win the battle was entirely more personal than shooting from a distance or dropping bombs from an airplane. These paintings and historical leftovers depict the horror that paved the way to these beautiful tourist cities that the world enjoys today.

Maria Bostenaru , April 08, 2005; 05:56 A.M.


Piazza San Marco, on a sunny day (in April 2003)

The Piazza San Marco is a chef d'oeuvre teached as almost perfect example of its type in architecture courses. The photo above illustrates one of the successful space design sites: the framing of the opening to the sea, another kind of background. The Campanilla, articulating the two squares, is another example.


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